Pepijn Schoneveld

A successful, city-based construction manager finds herself reconsidering her cosmopolitan life choices when her employer relocates her to a folksy seaside town.

Seven friends meet up for dinner and decide to play a revealing game. During the evening deep personal secrets will surface and threaten their relationships.

Merel, a single midwife, is done with men, but her biological clock is ticking inexorably. And yes, she gets pregnant. However, the whole family suddenly seems pregnant. Her 60-plus father Piet has just become a father again with his young partner and her 23-year-old niece Eva is also expecting. Annet, Merel's older sister, who suffers from the empty nest syndrome, has a husband Theo who only wants to travel because he thinks is too young to become a grandfather.

The chance meeting of two people at the darkest moments of their lives leads to a bright new beginning : Arthur (around 50) and Claire (around 30) pull each other from the abyss – by trying to save the other they see the worth of their own life.

The story of Dutch commando Marco Kroon, who, after becoming the first recipient of his country's highest military award in over five decades, finds himself in the crosshairs of the law for alleged drugs and weapons violations.

A criminal from Amsterdam barely surviving a liquidation. An old Frisian farmer bent on revenge. An illegal immigrant with uncertain prospects. Eventually, they meet under an ancient oak tree. Beyond the last town.

Reconnecting in the 1990s years after being school bandmates, two budding musicians struggle to balance success and happiness when they form a Eurodance act that skyrockets them to fame and fortune.

The Dadchelor, from creators Jon Karthaus and Daan van den Nouweland, is a comedy film that tells the story of uber-responsible Mark, who is about to become a father and goes on a seemingly innocent Dadchelor weekend, that spirals out of control and even puts the life of his friends on the line. It is produced by Johnnywood and NRG Productions.

Four friends visit an outdoor festival. In the queue mass panic arises. Their relationships inform the way the friends react during the chaos. One of them is killed, the remaining friends are seen as a hero, a victim and a villain. But aren't the victims guilty as well. And isn't the bad-guy also a victim?

News that the school is supposed to suddenly close causes great agitation among the students. They decide to take direct action by occupying their school... The siege commands hard-action from the friends to protect their school and identities. Will they convince the board to keep the school open?