Alfred Sjøholm

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In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.

FRAGMENT | Mac Davis runs a small press agency through which he conducts all sorts of shady business. Together with his helpers Clark and Durkins and his girlfriend Ellis he ruthlessly hustles through life. One day, the gang has a fight, and while Clark is thrown out, Durkins and Ellis decide to run away and start a new, righteous life together. Unfortunately, things don't go exactly as planned. (stumfilm.dk)