Paulo Oom

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.

Two lonely people, Mário and Joana, both deceased in childhood, lost the ability to sleep. When fate brings them together, Mário manages to sleep again and leave their loneliness behind. Definitely?

Nogueira, a man in his fifties, is a relic of times long past. While the youngsters at the school where he works as a caretaker still think the world is their oyster, Nogueira knows that, for him, most doors have long closed.

Once inseparable, Charles the artist and Daniel the schemer reunite after 15 years of separation and confess their mutual misfortune. Determined to start over, the two friends and Sylvie, a friend of Charles, take on the movie business. But they come up against the well-established laws of the business and create havoc wherever they go. But their optimism will save them.

When a football agent acquires the rights of two young Mozambican players, he tries to transfer them to Benfica, his favorite club.

Five characters intersect at a sidewalk beginning a journey through their lives.

TV-movie based on a play by Miguel Ángel Asturias.