Clara Kuperberg

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

From early Hollywood stereotypes and erasure to today’s authentic voices, this documentary traces a century-long struggle for Latino representation, showing how artists reclaimed their image and reshaped cinema, and the way we imagine the world

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

No synopsis available yet.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

From early Hollywood stereotypes and erasure to today’s authentic voices, this documentary traces a century-long struggle for Latino representation, showing how artists reclaimed their image and reshaped cinema, and the way we imagine the world

From early Hollywood stereotypes and erasure to today’s authentic voices, this documentary traces a century-long struggle for Latino representation, showing how artists reclaimed their image and reshaped cinema, and the way we imagine the world

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

No synopsis available yet.

Martin Scorsese, in New York, talks about the musics in his films and all his influence and great composers as Bernard Herrmann or Bernstein. From Mean Streets to Aviator.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays a role almost as important as the characters themselves. It can serve to underscore the characters' emotions, reinforce the film's themes, or evoke a particular era. While Scorsese regularly collaborates with renowned composers to create memorable soundtracks, from Bernard Herrmann and Elmer Bernstein to Robbie Robertson and Howard Shore, what he enjoys most is incorporating existing pieces of music ; "the soundtrack to his life", as he puts it.

A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

No synopsis available yet.

A portrait of American crime writer James Ellroy that is a journey through his dark personal and literary obsessions, marked by the murder of his mother, Jean Ellroy, in 1958, when he was just a ten-year-old boy.

A portrait of American crime writer James Ellroy that is a journey through his dark personal and literary obsessions, marked by the murder of his mother, Jean Ellroy, in 1958, when he was just a ten-year-old boy.

A documentary about film noir films made in Los Angeles.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Looks at roles given to women in Hollywood over the years and the development of 'chick flicks'. Writers, critics and studio executives including Nora Ephron, Molly Haskell and Linda Obst, discuss the rise of chick flicks.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

Biography on the famous writer-director, Billy Wilder.

Celebrates the iconic director Vincente Minnelli, whose visually rich and emotionally resonant films helped define the golden age of Hollywood.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Portrait of one the most fantastic American cartoonist, author of MAUS, Pulitzer Prize in 1992.

Portrait of a deceptively smooth "everyman", whose excessiveness as a great actor Billy Wilder was able to reveal with a bang in the seven films they shot together, including "Some Like It Hot", "The Bachelor's ", "Irma the sweet" and "Avanti, avanti".