Lilia Ortega

Ramona is fat woman with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really get any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will soon get better thanks to some magical beetles she finds in a Tarot café.

Ramona is fat woman with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really get any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will soon get better thanks to some magical beetles she finds in a Tarot café.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

After St. Jude appears in Esperanza's oven, she sets out to find her daughter, who died under mysterious circumstances. The journey forces Esperanza to challenge her own beliefs and face her fears in order to be reunited with her beloved daughter.