Fernanda Borsatti

A theatre having national as part of its name, at the top of a square, reflecting a country’s history. But which one? This is a voyage through the various narratives about D. Maria II National Theatre, forged through the intentions of the several regimes that intended to convey their own ideologies within the theatre’s mission. This is also the story of those who fought against it, opposed the institution and became part of it. How can one become heir of these stories, even if never having set foot inside.

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In this retelling of the story of Hamlet, the young man is a soldier on leave to attend his widowed mother's marriage to his uncle - a marriage which is unpleasantly near in time to the death of his father. Every element of Shakespeare's tragic story is present, except that, this time, Dede refuses to kill anyone, no matter how persistent his father's frustrated ghost is.

Two lovers meet again in strange circumstances, when she is a recent widow not particularly grieving, and he is a divorcée mourning his daughter. They reunite, only to break again - this time for good.

Duke is the name of a journalist who investigates the famous Ballet Rose case. During the investigation, he stumbles upon a mysterious murder.

Beladona was the greatest star, or so she thought. Careless of her rural property, she lived by night countless adventures. From one such nights in the arms of a stage and movie producer, she begot her dear Lilás. Alas, six minutes after birth, the boy was taken from her and declared dead - due to the intrigue of the producer, who didn't want to recognize the child as his. Taken into custody by a surrogate mother, twenty years after the child grew into a man, who starts his education in the very fado (folk song, also meaning destiny) tavern where his real mother is. Beladona is still an attractive woman - and drama is round the corner.

A telefilm that satirizes the Portuguese espionage.

Ramon and his bandit gang launch an attack on Danger City, searching for rumoured hidden treasure and unable to find the loot either kill or take as hostage all the men, leaving only the women and children to produce the treasure or face 'Deguello' - an attack with no quarter. Four men arrive in town searching for Ramon and agree to help protect the town from the bandits.

A peaceful head of the family wins the lottery, changing the family's life.

Reflections on life and death unfold through the eyes of Jorge, the head doctor of the Haematology Department, whose world is plunged into despair when he falls in love with Clarisse, a woman suffering from advanced leukemia.

Eduardo, the son of the wealthy farmer Jerónimo de Vinhais, falls in love and departs for Lisbon with the fado singer Maria da Graça, after studying abroad, and refusing his father "too" to be a taurenic knight.

A fussy insurance inspector (Varela Silva) has the mission to investigate why, in three years, 325 employees have passed through a farm shop. In his police demand, he speaks with the maid, the girl Elvira (Fernanda Borsatti) and with the store's boss, Mr. Silva (Henrique Santos). His curiosity will only be satisfied with the arrival of Dona Berta (Elvira Velez), with her "nausea" daughter (Isabel de Castro) and her "unbearable" granddaughter (Guida Maria)