Shadi Abdel Salam

Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a morality/folk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

Experimental Film. Documentary reflects the cultural life in modern Egypt.

Posthumously completed film trilogy, conceived during the 1970s and left incomplete at the time of Abdelsalam's death in 1986, the trilogy reflects his lifelong mission of reconnecting modern Egyptians with the spiritual, cultural, and philosophical legacy of ancient Egypt. The work consists of three short films—The Fortress, The Dandarawiya, and The Tragedy of the Great House – Akhenaten—which examine ancient Egyptian civilization, religious thought, and humanity's search for meaning.

This documentary tries to capture the fresh sense of triumph in the eyes of the Egyptian soldiers after the 1973 war with Israel.

Salah, a boy, wanders about with his uncle through the Cairo museum, where he is fascinated by the statues and especially the restauration work in progress on Tutankhamun's throne. His uncle tells him the story of ancient Egypt and of the relation between Tutankhamun and Akhenaten.

Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a morality/folk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.

Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a morality/folk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

Experimental Film. Documentary reflects the cultural life in modern Egypt.

Experimental Film. Documentary reflects the cultural life in modern Egypt.

Posthumously completed film trilogy, conceived during the 1970s and left incomplete at the time of Abdelsalam's death in 1986, the trilogy reflects his lifelong mission of reconnecting modern Egyptians with the spiritual, cultural, and philosophical legacy of ancient Egypt. The work consists of three short films—The Fortress, The Dandarawiya, and The Tragedy of the Great House – Akhenaten—which examine ancient Egyptian civilization, religious thought, and humanity's search for meaning.

This documentary tries to capture the fresh sense of triumph in the eyes of the Egyptian soldiers after the 1973 war with Israel.

This documentary tries to capture the fresh sense of triumph in the eyes of the Egyptian soldiers after the 1973 war with Israel.

This documentary tries to capture the fresh sense of triumph in the eyes of the Egyptian soldiers after the 1973 war with Israel.

Salah, a boy, wanders about with his uncle through the Cairo museum, where he is fascinated by the statues and especially the restauration work in progress on Tutankhamun's throne. His uncle tells him the story of ancient Egypt and of the relation between Tutankhamun and Akhenaten.

Mythic, quiet, and beautifully shot on 35mm film in the deserts of California, Clark’s film explores themes of culture, cultural excavation and appropriation, and the construction of history. Playing with movement and light in natural settings, with a glorious score, layered with a dialogue of two explorers, the film re-enacts the negotiations of an archaeologist from Cairo with members of an Egyptian tribe who guard ancient culture hidden in tombs lost in the desert. The scenario for the film was adapted from the 1969 Egyptian film A Night of Counting the Years, directed by Shadi Abdel Salam, creating a layered story with echoes of ancient Egypt, reflections on the diversity of desert ecology, and recent archaeological digs for lost Hollywood film sets.