Jean Cayrol

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.

During WWII, Bruno gave away many people to the Gestapo. Now, 25 years after, with a new face given by plastic surgery, he is back and becomes friend with his victims' relatives and friends...

Dedicated “to the exiled, proscribed, expelled, banned,” this montage of documentary images codirected and written by Jean Cayrol—a former deportee who wrote the commentary for Alain Resnais’s Night and Fog —makes the Spanish Civil War a synecdoche for all forms of brutal exclusion.

A survivor from a concentration camp, seen from behind, walks along the remains of the Atlantic Wall. From a bunker to another he wanders in despair, still traumatized, still a stranger in a world that has become meaningless.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.

During WWII, Bruno gave away many people to the Gestapo. Now, 25 years after, with a new face given by plastic surgery, he is back and becomes friend with his victims' relatives and friends...

Dedicated “to the exiled, proscribed, expelled, banned,” this montage of documentary images codirected and written by Jean Cayrol—a former deportee who wrote the commentary for Alain Resnais’s Night and Fog —makes the Spanish Civil War a synecdoche for all forms of brutal exclusion.

Dedicated “to the exiled, proscribed, expelled, banned,” this montage of documentary images codirected and written by Jean Cayrol—a former deportee who wrote the commentary for Alain Resnais’s Night and Fog —makes the Spanish Civil War a synecdoche for all forms of brutal exclusion.

A survivor from a concentration camp, seen from behind, walks along the remains of the Atlantic Wall. From a bunker to another he wanders in despair, still traumatized, still a stranger in a world that has become meaningless.