Yoshihiro Kato

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.

The story of a sexy girl with a passion for attracting men and counting the money she entices from them with her body.

A young man reaches adolescence and escapes the nunnery where he survived a tortured upbringing; the world outside suddenly seems even more frightening than before.

A documentary of an avant-garde theatre performance, presents an orgiastic rite of sex, degradation, and bloody sacrifice, performed by Zero-Jigen.

After the Expo ’70 Destruction Joint-Struggle Group disbanded, Katō released Brahmin (Burāmin, 1971-76).

The White Hare of Inaba is a film directed by Katō Yoshihiro, a central member of Zero Jigen, with cinematography by the filmmaker Ōe Masanori. Drawing on the Japanese myth of the white hare of Inaba, it presents a white hare (i.e. woman) leaping across waters full of ferocious sharks (i.e. male-dominated society), presenting a vision for a new era while capturing on film the joy of human beings’ inherent Eros and a new mode of “family” that breaks free of feudalistic social constraints.