Gianni Costantino

Gemma works as an employee in the office of an agency that is responsible for launching novice models into their first career steps. However, Gemma does not work in a peaceful atmosphere due to her particularly demanding employer and the harassment she suffers from her own clients. Equally unhappy is her love life, which is why her only friend, as well as her trusted hairdresser, dyes her hair pink. It is from that moment that her life changes radically.

No synopsis available yet.

Roberto is a student in a corrupt university where teachers sell exams and only hire friends and relatives.

The Ultras are not ordinary spectators of a football match, but fans who live in a territory sacred to them: the Curva. A sort of non-place that takes the concept of social stratification and subverts it for ninety minutes: the doctor is next to the worker, the craftsman shoulder to shoulder with the lawyer or the “VIP” fan. There are those who struggle to find an identity in everyday life and those who, despite having one, want to lose it at least for the duration of a match. On those steps they are all the same, all brothers, and together they become an autonomous entity within the stadium. For them that sense of belonging is a legacy passed down from generation to generation, from father to son.

Gemma works as an employee in the office of an agency that is responsible for launching novice models into their first career steps. However, Gemma does not work in a peaceful atmosphere due to her particularly demanding employer and the harassment she suffers from her own clients. Equally unhappy is her love life, which is why her only friend, as well as her trusted hairdresser, dyes her hair pink. It is from that moment that her life changes radically.

No synopsis available yet.

No synopsis available yet.

Roberto is a student in a corrupt university where teachers sell exams and only hire friends and relatives.

The Ultras are not ordinary spectators of a football match, but fans who live in a territory sacred to them: the Curva. A sort of non-place that takes the concept of social stratification and subverts it for ninety minutes: the doctor is next to the worker, the craftsman shoulder to shoulder with the lawyer or the “VIP” fan. There are those who struggle to find an identity in everyday life and those who, despite having one, want to lose it at least for the duration of a match. On those steps they are all the same, all brothers, and together they become an autonomous entity within the stadium. For them that sense of belonging is a legacy passed down from generation to generation, from father to son.