Lorenzo Munoz Jr.

Hosted by a leather masked individual with a distorted voice named z.187 this shockumentary takes a look at real life death and violence caught on film.

This film is dedicated to the memory of Ray M. Flores. On the night of January 1, 2000, he filmed a new member joining a gang in Los Angeles. The documentary went fatally wrong. This is the actual footage that Ray shot.

Shockumentary featuring uncensored footage of real-life emergencies. It captures graphic scenes involving accidents, injuries, and medical interventions, aiming to portray the raw intensity of paramedic work.

You are about to witness the shocking and senseless results of gang violence. In particular, the violence of L.A.'s most notorious gangs: the CRIPS & BLOODS.

This film is a Mondo film, which only shows various forms of violence, images of accidents and dead people. This film, after a brief introduction from the director, is not intended to glorify violence, but only to show the reality. Images of surveillance cameras showing shopkeepers being threatened with weapons, amateur videos of Colombian drug trafficking, executions and skull collections are shown here. As the film progresses, one sees various deformities of newborn and unborn babies. The film concludes with a hip hop music video.

Take a look at our shocking world. We live in an age of violence where inhumanity is becoming commonplace. This documentary shows you horror acts of violence, terrible accidents and many other cruelties.

Hosted by a leather masked individual with a distorted voice named z.187 this shockumentary takes a look at real life death and violence caught on film.

This film is dedicated to the memory of Ray M. Flores. On the night of January 1, 2000, he filmed a new member joining a gang in Los Angeles. The documentary went fatally wrong. This is the actual footage that Ray shot.

Shockumentary featuring uncensored footage of real-life emergencies. It captures graphic scenes involving accidents, injuries, and medical interventions, aiming to portray the raw intensity of paramedic work.

You are about to witness the shocking and senseless results of gang violence. In particular, the violence of L.A.'s most notorious gangs: the CRIPS & BLOODS.

This film is a Mondo film, which only shows various forms of violence, images of accidents and dead people. This film, after a brief introduction from the director, is not intended to glorify violence, but only to show the reality. Images of surveillance cameras showing shopkeepers being threatened with weapons, amateur videos of Colombian drug trafficking, executions and skull collections are shown here. As the film progresses, one sees various deformities of newborn and unborn babies. The film concludes with a hip hop music video.

Take a look at our shocking world. We live in an age of violence where inhumanity is becoming commonplace. This documentary shows you horror acts of violence, terrible accidents and many other cruelties.

Your host, z.187 will take control of your TV and tune you in to the darkest channels. He will expose your eyes to some of the most horrifying images plucked from the darkest depths of the internet. This is a hardcore documentary of underground footage. Please be advised, this is not for the squeamish

Against a backdrop of commentary by an anonymous narrator, the documentary presents a selection of solid fights recorded on the spot. These fights pit men and sometimes even women against each other with bare hands and an obviously unreasonable fervor.

You are about to witness the shocking and senseless results of gang violence. In particular, the violence of L.A.'s most notorious gangs: the CRIPS & BLOODS.

Two Latinos plan to rob dealers and use the money to record a hip hop album. The film's handheld, often POV-style camerawork attempts to add a grimy edge.

Two Latinos plan to rob dealers and use the money to record a hip hop album. The film's handheld, often POV-style camerawork attempts to add a grimy edge.

Two Latinos plan to rob dealers and use the money to record a hip hop album. The film's handheld, often POV-style camerawork attempts to add a grimy edge.