Gabriel Abrantes

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

Gabriel Abrantes and Alexander Melo deconstruct the 1st section of Shakespeare's Taming of the Shrew as a playful, vibrant ode to bacchanalia, classicism and homoeroticism.

When two boys leave for a philosophical journey and only one is prepared for it, their worlds will part forever.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.

A documentary about the world of portuguese cinema, with interviews with some critics and directors.

A headlong dive into the deepest, silliest recesses of Abrantes’s unconscious.

A dreamy, ironic comedy about a generation of hedonistic students in the 1990s. Their favourite activity: talking endlessly. During a series of vacation days filled with sun-drenched naps, squabbling, waterskiing competitions and love-making, the amateur actors discuss their concerns in dry dialogues. For instance, semi-intellectual reflections on the end of time and how Michael Jordan plays basketball.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

In a dystopian future where survival of all life on the planet depends on the ragged remnants of what used to be the Amazon rainforest, eco-activist couple Rob and Ryan acknowledge the fact that their mission to save humanity from extinction is doomed. Leaving the rainforest behind, they and adopt little Sasha, born of a young woman who rented her womb for money only to die giving birth. Forced to look straight into the cynicism and selfishness of their choices, while Apocalypse rages around them, Rob and Ryan must finally face their own contradictions without hypocrisy.

A man, Francisco, works in an open-pit mine. He goes to see his boss about taking the following day off. At first the boss doesn’t want to allow it as there is so much to do, but he finally concedes. The next day his daughter calls on him, a visit he no longer counted on. They spend the day with one another. The longer they are together, and the later the night gets, the more absurd the situations and moments they experience become.

A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

This radical diptych recasts Manet's canonical painting as a scandalous psychodrama: in the first part, a prostitute (Katie Widloski) and her brother (Gabriel Abrantes) struggle with their incestuous urges; in the second, a prostitute (Abrantes) copes with her loneliness on a slow night for business.

Story about Incest and the Iraq war.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

In this short comedy, Luis Vaz de Camoes, the greatest Portuguese renaissance poet, struggles creatively while engaging in a hedonistic, coprophagic, and drug addled lifestyle. The film follows the poet, and his lover Dinamene, as he writes his masterpiece, the epic poem "Os Lusiadas." He travels from the cacophony of the Indic jungles, surrounded by allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

Gabriel Abrantes and Alexander Melo deconstruct the 1st section of Shakespeare's Taming of the Shrew as a playful, vibrant ode to bacchanalia, classicism and homoeroticism.

Gabriel Abrantes and Alexander Melo deconstruct the 1st section of Shakespeare's Taming of the Shrew as a playful, vibrant ode to bacchanalia, classicism and homoeroticism.

Gabriel Abrantes and Alexander Melo deconstruct the 1st section of Shakespeare's Taming of the Shrew as a playful, vibrant ode to bacchanalia, classicism and homoeroticism.

Set in Haiti, more precisely in the places affected by the 2010 tsunami, Ornithes shows us the attempt of theatre director Gabriel Abrantes to stage an as faithful as possible adaptation of The Birds by Aristophanes. However, his pedantic attitude dulls the locals, who start to rebel against his impositions. Spaced out by imaginative stories about wives transformed into goats and offered as gifts to Gods, Abrantes's revision is a game of mirrors, in which a fantastic tale alternates with another, representing a vibrant and colorful context where folklore, myth and modern myths such as Robert Patterson of Twilight overlap each other.

Set in Haiti, more precisely in the places affected by the 2010 tsunami, Ornithes shows us the attempt of theatre director Gabriel Abrantes to stage an as faithful as possible adaptation of The Birds by Aristophanes. However, his pedantic attitude dulls the locals, who start to rebel against his impositions. Spaced out by imaginative stories about wives transformed into goats and offered as gifts to Gods, Abrantes's revision is a game of mirrors, in which a fantastic tale alternates with another, representing a vibrant and colorful context where folklore, myth and modern myths such as Robert Patterson of Twilight overlap each other.

Set in Haiti, more precisely in the places affected by the 2010 tsunami, Ornithes shows us the attempt of theatre director Gabriel Abrantes to stage an as faithful as possible adaptation of The Birds by Aristophanes. However, his pedantic attitude dulls the locals, who start to rebel against his impositions. Spaced out by imaginative stories about wives transformed into goats and offered as gifts to Gods, Abrantes's revision is a game of mirrors, in which a fantastic tale alternates with another, representing a vibrant and colorful context where folklore, myth and modern myths such as Robert Patterson of Twilight overlap each other.

When two boys leave for a philosophical journey and only one is prepared for it, their worlds will part forever.

When two boys leave for a philosophical journey and only one is prepared for it, their worlds will part forever.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

Mallard Gibson and Singuz Gumpfree have disowned the society of men: they have instead long conversations with a hare named Jackrabbit, with whom they share a shack on the banks of the East River. Amongst mystic visions, dark humour and anarchic associations of heterogeneous elements, Abrantes stages a post-modern, urban, completely delirious Alice in Wonderland, with a twist in the tail in store for the unsuspecting rabbit.

Mallard Gibson and Singuz Gumpfree have disowned the society of men: they have instead long conversations with a hare named Jackrabbit, with whom they share a shack on the banks of the East River. Amongst mystic visions, dark humour and anarchic associations of heterogeneous elements, Abrantes stages a post-modern, urban, completely delirious Alice in Wonderland, with a twist in the tail in store for the unsuspecting rabbit.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.