Jerry Krepakevich

1997 Short film by Shirley Cheechoo

Documents the lives of three long-haul truck drivers whose routes take them throughout North America - even to the Arctic. The complexity of their work is on display as bad weather, unsafe driving conditions, and rising fuel prices add to the stress of being away from home for weeks at a time. Even so, the film celebrates the joy of the open road and a spirit of independence.

This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government. Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Aboriginal objects held in museums.

One of the most sensational get-rich-quick schemes that took place in France over 200 years ago with economist John Law at the helm.

The life and times of Leilani Muir, the first person to file a lawsuit against the Alberta provincial government for wrongful sterilization under the Sexual Sterilization Act of Alberta.

A group of citizens lobbied to save the landmark Alberta Wheat Pool grain elevator, one of the defining features of Mayerthorpe’s landscape, from being torn down in 2003 - as thousands of others had been. This film documents those efforts while exploring the broader history and significance of the grain elevator.

1997 Short film by Shirley Cheechoo

Documents the lives of three long-haul truck drivers whose routes take them throughout North America - even to the Arctic. The complexity of their work is on display as bad weather, unsafe driving conditions, and rising fuel prices add to the stress of being away from home for weeks at a time. Even so, the film celebrates the joy of the open road and a spirit of independence.

This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government. Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Aboriginal objects held in museums.

One of the most sensational get-rich-quick schemes that took place in France over 200 years ago with economist John Law at the helm.

The life and times of Leilani Muir, the first person to file a lawsuit against the Alberta provincial government for wrongful sterilization under the Sexual Sterilization Act of Alberta.

A group of citizens lobbied to save the landmark Alberta Wheat Pool grain elevator, one of the defining features of Mayerthorpe’s landscape, from being torn down in 2003 - as thousands of others had been. This film documents those efforts while exploring the broader history and significance of the grain elevator.

Filmmaker Eva Colmers' father Theo Melzer spent three and a half years in a POW camp in Lethbridge, Alberta -- one of 25 such camps across Canada housing German prisoners captured during World War II. Surviving prisoners, including Melzer, recount how their lives were changed by the unexpected respect and dignity they received at the hands of their Canadian captors.

How the Fiddle Flows follows Canada's great rivers west along the fur-trading route of the early Europeans. The newcomers introduced the fiddle to the Aboriginal people they intermarried with along the way. A generation later, their mixed-blood offspring would blend European folk tunes with First Nations rhythms to create a rich and distinct musical tradition. From the Gaspé Peninsula, north to Hudson Bay and to the Prairies, How the Fiddle Flows reveals how a distinctive Metis identity and culture were shaped over time. Featuring soaring performances by some of Canada's best known fiddlers and step dancers and narrated by award-winning actress Tantoo Cardinal.

This documentary describes the unfortunate legacy of the lone house on the prairie, an example of a dwelling entirely unsuited for the harsh winter or summer. We meet some builders and homeowners experimenting with more energy-efficient designs, such as the dome, the underground house and a ranch with wind, solar energy and methane gas from animal waste.

This documentary short is a visual portrait of “Prairie Sentinels,” the vertical grain elevators that once dotted the Canadian Prairies. Surveying an old diesel elevator’s day-to-day operations, this film is a simple, honest vignette on the distinctive wooden structures that would eventually become a symbol of the Prairie provinces.

Thousands of Indigenous Canadians enlisted and fought alongside their countrymen and women during World War II even though they could not be conscripted. Ironically, while they fought for the freedom of others, they were denied equality in their own country and returned home to find their land seized.

A concert pianist prepares to begin his practising for a major concert coming up. Unfortunately, he has this procrastination problem that prevents him from getting any serious time done, even when his frustration with it literally driving him into a frenzy.

No synopsis available yet.

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

This film presents the historical development of lighthouses in Canada, and shows the conversion from keeper-maintained lights to automated equipment.

This film presents the historical development of lighthouses in Canada, and shows the conversion from keeper-maintained lights to automated equipment.

This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.

Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s were proud men and well-respected by their community, but harsh working conditions prevented them from being promoted to other railway jobs until 1955 when porter Lee Williams took his fight to the union.

This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.

A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.

The very short animation by Richard Condie is a lesson in how to make a fool of oneself easily and effectively. Two gentlemen are involved: one who wishes to read his newspaper and another who insists on performing acrobatic feats. Although the outcome is surprising, the message is clear: going to great lengths to impress one's neighbor is futile.

The West. A prospector is awakened by the sound of music outside his cave to see an animal band and a chorus line of dancing cacti.

This short film portrays the NFB's itinerant projectionists during the '40s and early '50s who travelled throughout Canada, bringing films and discussions to rural communities. The film uses a mix of dramatic re-enactments with archival footage and interviews with veterans of the movie circuit to shed light on an important period in Canadian film history.