Paulino Viota

The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

Short film about an aimless young man.

A man and a woman living in the same pension, but different rooms, grow intimate behind the landlady's back.

The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.

Short film, shot in 16mm. Visually, the second hand sweeping the face of a clock. Audibly, the ticking of a clock. The passing of 10 minutes of time.

The story of a couple whose relationship is falling apart, with voiceover by two of their friends.

The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

Short film about an aimless young man.

A man and a woman living in the same pension, but different rooms, grow intimate behind the landlady's back.

The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.

Short film, shot in 16mm. Visually, the second hand sweeping the face of a clock. Audibly, the ticking of a clock. The passing of 10 minutes of time.

The story of a couple whose relationship is falling apart, with voiceover by two of their friends.

A documentary about traveling fairs in Spain.

Short film shot in 16mm

Santander, 1967. Tina's desire is to leave her hometown and move to London, but her mother does not approve her choice.