Florian Steinbiss

The Return of The Neanderthal Man is a screwball comedy with a Freudian twist. The story of a young woman's quest to find the perfect mate, who is embodied in a 10,000 year old Neanderthal Man. A tongue in cheek look at relationships in our modern age, The Return of the Neanderthal playfully examines all of our preconceived notions about love and romance and turns them inside out and upside down.

In the twisted annals of the Third Reich, few stories are so improbable as that of Charlie and his Orchestra. Even as Nazis campaigned against degenerate jazz music, behind the scenes the Propaganda Ministry was creating a jazz orchestra.

The Return of The Neanderthal Man is a screwball comedy with a Freudian twist. The story of a young woman's quest to find the perfect mate, who is embodied in a 10,000 year old Neanderthal Man. A tongue in cheek look at relationships in our modern age, The Return of the Neanderthal playfully examines all of our preconceived notions about love and romance and turns them inside out and upside down.

The Return of The Neanderthal Man is a screwball comedy with a Freudian twist. The story of a young woman's quest to find the perfect mate, who is embodied in a 10,000 year old Neanderthal Man. A tongue in cheek look at relationships in our modern age, The Return of the Neanderthal playfully examines all of our preconceived notions about love and romance and turns them inside out and upside down.

In the twisted annals of the Third Reich, few stories are so improbable as that of Charlie and his Orchestra. Even as Nazis campaigned against degenerate jazz music, behind the scenes the Propaganda Ministry was creating a jazz orchestra.

In the twisted annals of the Third Reich, few stories are so improbable as that of Charlie and his Orchestra. Even as Nazis campaigned against degenerate jazz music, behind the scenes the Propaganda Ministry was creating a jazz orchestra.