Pedro André

1917, a beautiful apparition of Our Lady forever alters the lives of three children: Lucinda, Jacita and Francisco who lived in Villa Fatima in Portugal.

An anachronistic public access TV channel plays host to a self-help guru with one goal — to scare viewers out of whatever addiction may be plaguing them. Using his trademarked "Eight Step Action Plan," he covers topics ranging from sex to gluttony, each of them glitching into a terrifying tale of addiction gone wrong. Eight international directors take on these stories, presenting horrifying shorts focused on the darkest and most surreal side of addiction.

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.

An anachronistic public access TV channel plays host to a self-help guru with one goal — to scare viewers out of whatever addiction may be plaguing them. Using his trademarked "Eight Step Action Plan," he covers topics ranging from sex to gluttony, each of them glitching into a terrifying tale of addiction gone wrong. Eight international directors take on these stories, presenting horrifying shorts focused on the darkest and most surreal side of addiction.

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.

The entire project examines three interconnected extractivist processes in that area of southeastern Spain: mining in La Unión, construction in La Manga, and agroindustry in the Mar Menor. This short film was scripted as a spiral, revisiting the same three locations in three rounds. It overlaps archival materials with new recordings, aiming to approach the territory as a stratified archival ground – a form of storytelling conveyed by the land and water themselves. The archival materials are treated as compacted strata, whose grain and texture offer the possibility of excavating the trauma inscribed in the territory.