Derrick Sherwin

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

A kid-friendly take on the exploits of King Richard the Lion Heart, from his participation in the Crusades, to his capture in Austria, to his final return to England.

Anthology series telling suspenseful tales.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

No synopsis available yet.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

A kid-friendly take on the exploits of King Richard the Lion Heart, from his participation in the Crusades, to his capture in Austria, to his final return to England.

A kid-friendly take on the exploits of King Richard the Lion Heart, from his participation in the Crusades, to his capture in Austria, to his final return to England.

Anthology series telling suspenseful tales.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

No synopsis available yet.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

The New Doctor arrives on Earth in the middle of a freak meteor shower. Faceless killer shop window dummies are coming to life and killing anything that comes into their path while Facsimiles are replacing top Military, Political and Civil leaders. The Nestene has come to invade the Earth. The convalescent Doctor teams up with Brigadier Lethbridge-Stewart and Dr. Elizabeth Shaw of UNIT to thwart the Nestine's plans even as the invasion begins.

To escape from the volcanic eruption on Dulkis, the Second Doctor uses an emergency unit. It moves the TARDIS out of normal time and space. The travellers find themselves in an endless void where they are menaced by white robots. Having regained the safety of the TARDIS, they believe they have escaped — until the ship explodes. They find themselves in a land of fiction, where they are hunted by life-size clockwork soldiers and encounter characters like Rapunzel, the Karkus, and Swift's Lemuel Gulliver.

The Doctor, Jamie and Zoe arrive on an unnamed planet. At first believing themselves in the midst of World War I, they realise it to be one of many War Zones overseen by the War Lords, who have kidnapped large numbers of human soldiers to form the greatest army the universe has ever seen. At the helm of this plot is the War Chief, another renegade Time Lord like the Doctor. The creeping realisation sets in that the Doctor cannot solve this problem alone, and that his days of wandering may be at an end...

The Doctor, Jamie and Zoe arrive on an unnamed planet. At first believing themselves in the midst of World War I, they realise it to be one of many War Zones overseen by the War Lords, who have kidnapped large numbers of human soldiers to form the greatest army the universe has ever seen. At the helm of this plot is the War Chief, another renegade Time Lord like the Doctor. The creeping realisation sets in that the Doctor cannot solve this problem alone, and that his days of wandering may be at an end...

The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.