Victor Kanefsky

Ellen receives an exotic mask by mistake and begins to have waking nightmares and hallucinations. Her husband and doctors believe she is a paranoid schizophrenic and take her to a psychiatric ward. On the way to the hospital the car breaks down, her husband rushes off to get gas, and the Nightmare Man appears. Ellen escapes and stumbles upon a country house where two young couples are spending the weekend. They do not know if the killer is real or just a figment of Ellen's tortured mind nor if the killer is outside or already inside the house.

In the summer of ’83 a camera crew visited Valkhn Films, an editing house where Style Wars was being painstakingly spliced together. This 25 min piece is a rare glimpse at the process of telling a real story as it’s happening.

Mike's obsession with horror movies means he can't help but expect to find a monster lurking around every corner. When he joins his friends for a weekend away at a remote lodge, Mike instantly senses that something isn't right. Can Mike use his movie knowledge to save his pals from a bloody end?

Ellen receives an exotic mask by mistake and begins to have waking nightmares and hallucinations. Her husband and doctors believe she is a paranoid schizophrenic and take her to a psychiatric ward. On the way to the hospital the car breaks down, her husband rushes off to get gas, and the Nightmare Man appears. Ellen escapes and stumbles upon a country house where two young couples are spending the weekend. They do not know if the killer is real or just a figment of Ellen's tortured mind nor if the killer is outside or already inside the house.

In the summer of ’83 a camera crew visited Valkhn Films, an editing house where Style Wars was being painstakingly spliced together. This 25 min piece is a rare glimpse at the process of telling a real story as it’s happening.

What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one's personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression. A student, protégé and friend of German artist George Grosz, Cenedella is now passing on the legacy of Grosz's approach to art, in the very same room where Grosz taught. In portraying Cenedella's determination to buck the system of what's popular while critiquing that popularity in his attempt to turn the art world upside down, ART BASTARD is a funny, touching, and insightful look inside the maverick mind of a true original.