Production
Cindy Tolan
Cindy Tolan is an American casting director and producer. Her career began in theatre, before she transitioned to television and film. She was awarded a BAFTA for her work as casting director of West Side Story in 2021. For the film, she auditioned 30,000 people to create an authentic cast with performers of Latin descent. She is credited with the discovery of Rachel Zegler and for encouraging Ariana DeBose to audition for the production. In 2019 she was nominated for two Black Reel Awards for different films, competing with herself in the Best Ensemble category for If Beale Street Could Talk and Sorry to Bother You. In 2018, she was awarded an Emmy for her work on The Marvellous Mrs Maisel. Tolan was part of a team that cast the first season, but subsequently became the sole casting director for seasons two and three. She is a member of the Casting Society of America. Description above from the Wikipedia article Cindy Tolan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting credits
Behind the camera
7.1One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe. Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.
Arthur Miller: Writer
2017
Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.
Death of a Salesman
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10.0Sammer is a 13 year old boy who escapes the streets of New York City by stealing video cameras from tourists. He and his friends retreat to their working class neighborhood to quickly sell the cameras, but Sammer always keeps the tapes. Alone in his bedroom and editing on a rack of stolen computers, Sammer explores this world of footage, infatuated by all the far away places and other people’s seemingly happy lives.
The Speed of Life
2007
