Tom Palazzolo

Lisa Gottlieb's Oscar-winning spoof of misogynist film noir.

Chesterton, Indiana's annual WIZARD OF OZ parade (as well as their many Oz-themed festivities) provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar (called the Midget Club) in the South Side of Chicago. Two other former Munchkins (Margaret Pellegrini and Clarence Swensen) briefly appear among the day's revelry. Also included is a postscript (shot some time after the initial film) featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup. Features George at the Flaherty Seminar and the Chicago Underground Film Festival.

Venus and Adonis offers a playful retelling of the Classical myth. Filmed at Chicago's North Avenue Beach, filmmaker Tom Palazzolo plays the handsome young Adonis who is seduced by Venus, the goddess of love, depicted by Natalie Jarnstedt.

The nom d'art 'Tommy Chicago' reflects independent filmmaker Tom Palazzolo's unique status within the Chicago film community. Since 1967, Palazzolo has filtered all aspects of the Windy City through his audacious lens. This documentary captures the artist at work and play on his latest film: we see him engage street urchins in the service of his vision, teach his son that you CAN buy love, and drive cast and crew to the brink of artistic chaos. Colorful and fast-paced, the tape illuminates the vital interplay between Palazzolo's brash personal style and his filmic art.

Chesterton, Indiana's annual WIZARD OF OZ parade (as well as their many Oz-themed festivities) provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar (called the Midget Club) in the South Side of Chicago. Two other former Munchkins (Margaret Pellegrini and Clarence Swensen) briefly appear among the day's revelry. Also included is a postscript (shot some time after the initial film) featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche

Lillie Santangelo had for most of the 20th century owned and operated a wax museum at New York's Coney Island. She leads us on a final tour, just before her museum is closed and her wax figures and exhibits are auctioned off. Old age and declining attendance have forced her to close and sell everything. This film deals with the loss of her "friends" (the wax figures), she has known for so long. She reminisces about her years as a Coney Island fixture as she visits the ocean boardwalk one last time.

A music and costume filled portrayal of the 1976 Gay Pride Parade by filmmaker Tom Palazzolo. All is fun and games until a bystander hurls an egg at Palazzolo's camera lens. It resumes quickly though.

A film by Tom Palazzolo and Mark Rance documenting neo-Nazi activity in the Marquette Park neighborhood of Chicago on August 21, 1976. The day marked one of many conflicts between black civil rights marchers and white supremacist neighborhood groups who were mobilizing to prevent black residents from moving into the neighborhood.

Tom Palazzolo's 1978 film "Sharie's Prom" is a documentary that captures the experiences of Sharie Holeb and her friends during their prom night in Chicago. The film offers an intimate glimpse into the lives of these young individuals as they navigate the excitement and challenges of this significant high school event.

A documentary on a Neo-Nazi rally in Marquette Park, Chicago, on July 9, 1978 features footage from inside the Neo-Nazi headquarters in Chicago (led by Frank Collin) and protesters in Marquette Park. In the headquarters they discuss logistics, chit-chat, and organize themselves for the rally. In the park beforehand we see people gathering (both anti-Nazis and Neo-Nazis) and police organizing themselves for the rally. Filmed by Tom Palazzolo and Mark Rance.

Filmmakers Tom Palazzolo, Jeff Kreines, and Bernie Caputo attend the annual Chicago Senior Citizens Picnic hosted by the Democratic Party. Shot in the style of direct cinema, they spend the afternoon in a Chicago park following the seniors as they have a musical revue, hula dance, listen to speeches, play organized games and generally seem to have an all around fabulous time.

A documentary about a man who wins a million dollars in the Illinois lottery. Takes place at Woodfield Mall in Schaumburg, IL.

Tom Palazzolo films the goings-on at Labor Day festival in East Chicago.

VHS compilation of two Tom Palazzolo documentaries - Marquette Park (1976) and Marquette Park II (1978) - about the American Nazi party and its leader Frank Collin.

Hot Nasty is a humorous documentary short set entirely inside a Chicago massage parlor called Big Bertha’s. The film features interviews with the women who work there, openly sharing funny stories about how they got into the business, dealing with different patrons, and so on.

Chicago was the host for the 1968 Democratic Convention, and the surrounding hype and horror that resulted. Mayor Daley called out the cops on the various protestors and hippies attempting to influence the proceedings, and resulting riot remains a stain on the city's reputation. Palazzolo combines footage of the various youth leaders as well as press comments from candidate Hubert Humphrey and Daley to illustrate the divide between the factions.

An experimental silent film by Tom Palazzolo documenting the comings and goings of Chicago's "El" rapid transit system in the 1970s. Exact year unknown.

Based on a comic Heather McAdams created for the Chicago Reader, the short comedic film was made by Tom Palazzolo's 1990 film production class at the School of the Art Institute of Chicago. Set in downtown Chicago on S Columbus Dr & E Congress Pkwy, McAdams demonstrates tips on how to ward off unwanted attention from men on the road.

Chicago filmmaker Tom Palazzolo turns his lens to film a very different portrait of Vivian Maier, the mysterious Chicago photographer whose work was only discovered posthumously.

"Fears and thrills... Part structure (the centerpoint): part improvisation."

Pigeon Lady is an observational documentary centered around the everyday comings and goings of an elderly woman in Chicago, Clara Miller. Palazzolo films her walking, carrying a shopping bag, and stopping to toss bread crumbs to pigeons and other birds. Palazzolo’s distance from her renders the film a portrait of the city as much as it is of the “pigeon lady.” Set to classical music including Ottorino Respighi’s “The Birds,” Gustav Mahler’s “Symphony No. 1 in D Major,” and Richard Wagner’s “Tristan und Isolde,” the film is tender and sensitive, yet hints at the humor and penchant for oddball subjects that would come to define Palazzolo’s later films. Roger Ebert called Pigeon Lady a “masterpiece” and “one of the most moving experimental films” he had ever seen.

On August 13, 1969 thousands of Chicagolandians flocked to downtown Chicago to get a glimpse of the first humans on the Moon (Neil A. Armstrong, Michael Collins, and Buzz Aldrin, Jr.). Chicago Filmmaker Tom Palazzolo captures the Chicago Apollo 11 Parade with wit and charm, highlighting the hoards of suburbanites who made the journey into the city.

JERRY'S DELI is a testament to a bygone era when shrieking lunatics could run successful (even popular) businesses. Shot on film-stock leftover from television cameramen, Tom Palazzolo's portrait of Jerry Meyer offsets sequences of the tyrannical deli owner (seen berating his employees and physically dragging customers to the counter) with personal interviews in which a soft-spoken Meyer calmly describes his decorated military service in World War II, his early stand on civil rights and this one time when he stabbed an employee in the arm. - Tom Fritsche

An awkward wedding rehearsal at which the in-laws meet

ADDED LESSONS is an absurdist fever dream that follows young Francis (Liam Hayes) as he's bounced between maternal demands, burgeoning sexual desires, the church, and pretensions of the art world. Filled with painted sets, symbolic gestures, and a who's who of Chicago's performance art scene of the late 1980s, ADDED LESSONS is decidedly non-naturalistic, instead referencing 1920s surrealist and expressionist silent films for its cinematic visual language.

Footage documenting a toy drive – “Toys for Tots” – held at a leather bar / motorcycle club in Chicago, called the Baton Lounge. The club was originally located at 436 N. Clark St., but moved to 4713 N. Broadway in 2019. The owner is Illinois native Jim Flint, who along with Irv Kupcinet helped to inaugurate the club’s most well-known tradition, “The Top of the Nation Revue,” which popularized the art of female impersonation and lip syncing – some of which can be seen in this film.

“Primarily a pet parade for children.”

A portrait of the spectators and press covering the dedication of Claes Oldenburg's "Batcolumn" sculpture on April 14, 1977, outside of the newly-built Social Security Administration Center at 600 West Madison Street in downtown Chicago.