Sebastián del Amo

No synopsis available yet.

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

1963, the Soviet Union intercepts a rumour that China pretends to assassinate the president of the US in his visit to Mexico. Filiberto Garcia, a local policeman, has 72 hours to investigate the Mongolian Conspiracy.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

No synopsis available yet.

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

1963, the Soviet Union intercepts a rumour that China pretends to assassinate the president of the US in his visit to Mexico. Filiberto Garcia, a local policeman, has 72 hours to investigate the Mongolian Conspiracy.

1963, the Soviet Union intercepts a rumour that China pretends to assassinate the president of the US in his visit to Mexico. Filiberto Garcia, a local policeman, has 72 hours to investigate the Mongolian Conspiracy.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.