
Directing
Sara Gómez
Born 1942-11-08 · La Habana, Cuba
Sara Gómez was a Cuban filmmaker, screenwriter, musician and journalist. She is recognized as the first Cuban woman to direct a fiction film: De cierto manera (1974).
Acting credits
9.0An illustration of the difficulties women encounter when they seek to achieve economic integration and equality with men in a country at the height of revolution.
My Contribution
1972
7.3A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.
Hello Cubans
1963
8.0Loose collection of individual portraits of the inhabitants of the Isle of Pinos (now Isla de la Juventud), who tell their stories, share ideas and discuss topics such as racism and crime.
On the Other Island
1968
2.0Born in 1943, Sara Gómez studied literature, piano, and Afro-Cuban ethnography before becoming the first female Cuban filmmaker. A woman of great intelligence, independence and generosity, she was a revolutionary filmmaker with intersecting concerns about the Afro-Cuban community and the value of its cultural traditions, women's issues, and the treatment of the marginalized sectors of society.
Where is Sara Gómez?
2005
A couple faces various difficulties due to the new realities that accompany the triumph of the Cuban Revolution.
The End
1964
Behind the camera
9.0An illustration of the difficulties women encounter when they seek to achieve economic integration and equality with men in a country at the height of revolution.
My Contribution
1972
9.0An illustration of the difficulties women encounter when they seek to achieve economic integration and equality with men in a country at the height of revolution.
My Contribution
1972
8.0Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
On Sugar Workers' Quarters
1971
8.0Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
On Sugar Workers' Quarters
1971
8.5Prenatal care and the advice for pregnant woman to enable a safe and healthy birth.
Prenatal Care
1972
8.5Prenatal care and the advice for pregnant woman to enable a safe and healthy birth.
Prenatal Care
1972
6.2In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.
An Island for Miguel
1968
6.2In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.
An Island for Miguel
1968
7.5Activities of the transit authority and plan for reeducation of those punished for traffic offenses.
A Documentary About Transit
1971
7.5Activities of the transit authority and plan for reeducation of those punished for traffic offenses.
A Documentary About Transit
1971
6.5About the election in assembly of the President of the Poder Popular (Popular Power)
Local Power, Popular Power
1970
6.5About the election in assembly of the President of the Poder Popular (Popular Power)
Local Power, Popular Power
1970
5.5A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.
Guanabacoa: Chronicle of My Family
1966
5.5A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.
Guanabacoa: Chronicle of My Family
1966
8.0Loose collection of individual portraits of the inhabitants of the Isle of Pinos (now Isla de la Juventud), who tell their stories, share ideas and discuss topics such as racism and crime.
On the Other Island
1968
6.4This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
I'm Going to Santiago
1964
6.4This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
I'm Going to Santiago
1964
7.2A short poetic evocation by Sara Gómez of Isla de Pinos, the island where Fidel Castro was imprisoned by Batista, where the revolution builds a new society. A juxtaposition of the Presidio Modelo prison with citrus production.
Treasure Island
1969
7.2A short poetic evocation by Sara Gómez of Isla de Pinos, the island where Fidel Castro was imprisoned by Batista, where the revolution builds a new society. A juxtaposition of the Presidio Modelo prison with citrus production.
Treasure Island
1969
7.5Documentary that reflects the development of tobacco production in Pinar del Río.
Excursion to Vueltabajo
1965
7.5Documentary that reflects the development of tobacco production in Pinar del Río.
Excursion to Vueltabajo
1965
7.0Opinions of workers of the textile industry on the theses of the XIII Labor Congress of the CTC.
About Extra Hours and Volunteer Work
1973
7.0Opinions of workers of the textile industry on the theses of the XIII Labor Congress of the CTC.
About Extra Hours and Volunteer Work
1973
7.5Childcare centers and their importance in child development.
Year One
1972