Neill Fleming

A film about Snuffing: A multi-billion dollar industry where people intentionally die on camera, with the intent of being revived.

All families are mad, not least the Canavans. A drama comedy with a twist, set in the wild West of Ireland. When Colm, the head of the family, dies, there are few who mourn his passing, not even his four estranged adult children. But, the legalities of his will must be observed, and more than one Canavan sibling is harbouring secrets. As the Canavans return to the family home, the fate of the family unit, their sanity, and the Canavan estate all hang in the balance.

When an unknown assailant preys on a haunted hotel's patrons, an event planner teams up with a mysterious tenant who's dark past is the key to freeing the cursed hotel.

After losing their jobs right before Christmas, six restaurant employees hatch a plan to rob their boss's high-stakes poker game. As the complications and mishaps pile up, one thing becomes clear: It'll take a Christmas miracle to pull this heist off.

Following his father's unusual and sudden death, Glen is on a mission to go after those responsible.

A Terrible Beauty is the story of the men and women of the Easter Rising in Dublin in 1916, Irish and British, caught up in a conflict many did not understand and of the innocent men and boys, executed because of what transpired in The Battle of Mount Street Bridge. The British soldiers were the last of the Great War volunteers, who joined up together to fight the Germans. They knew that there was a strong chance they would die in France, but to die in Dublin would never have crossed their minds. The Irish Volunteers were weekend warriors many of whom had no idea they were about to take part in large scale battles on the streets of Dublin.

Teenager Isabel Mann is seduced by a violent sect of day-walking vampires. Her classmates start to go missing, attracting two detectives.Things get weird as the disturbed teenager kills at will in the nearby woods. She's aided by head vampire Alejo, and eerily by Isabel's lost mother, an earlier recruit. She's trained in the art of the kill with horrifically bloody results for those she loves.

When their son, Billy, becomes a zombie, the family chooses to take care of him in the home, much to the chagrin of the neighbors and the local crime boss.

When the lawyer- and brother- of a dying patriarch commits suicide, it sets into motion a chain of murders which tears their family apart.

Three very mismatched friends party from Friday to Monday in Dublin City in a riotous cocktail of drugs and alcohol while their personal problems - including a debt to a psychotic gangster, sexual confusion, and a lost phone number - remain in constant pursuit.

Two petty criminals, tired of living on the breadline and begging for scraps, decide to branch out on their own into a life of crime. They pull off their first job but quickly realize they've messed with the wrong person. Time is now running out as they try to escape retribution.

Ten horror tales about the strange and sinister goings-on in the Hotel Darklight: Lonely Hearts (written and directed by Ciaran Foy); Hotel Training (written by Maura McHugh and directed by Conor McMahon); Prejudice (written and directed by Paul Walker); St. Mary (written by Gerry Creehan and Paul Markey and directed by Brian O'Toole); Play Dead (written and directed by James Phelan); Heaven in a Wildflower (written by Sinead Fagan and directed by Dolores Rice); Regards to the Chef (written by Eilis Mernagh and directed by Kian Petit and Ewan Petit); Noughts and Crosses (written by Barry McLoughlin and directed by Alan Brennan); You Beta Your Bollix (written by T.C. Director and directed by Ian Whelan); Better the Derval You Know (written by Paul Markey and directed by Brian O'Toole).

Mickey and Juliet, a young couple on the run from a vicious gang of drug dealers arrive at a deserted farm in the countryside near Cork, aiming to flee the country by ferry the following day. The farm is apparently inhabited by only one man, a 20 year old called John. John is cripplingly shy, but seems to be fascinated by Juliet's beauty, with the feeling not exactly unrequited. As Juliet and John forge more and more of a bond, Mickey, already expecting the gang to appear and kill him at any moment, becomes overcome with jealousy and paranoia. Gradually the three characters find themselves sucked into a deadly love triangle from which they may never emerge.