Hans H. Zerlett

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Karl Geschwandtner, a porter in a large hotel, has only one wish: one day, he'd like to be the lord and master, as the saying goes: to be the porter and 'ruler' in the hotel. And luck helps him to temporarily fulfill his dream. But Karl doesn't just take over running the hotel, he feels the need to stick his nose in the life of his hotel guests, too. There are couples, who don't want to be put together or apart. When a valuable jewel goes missing, he plays detective and only succeeds in helping the thief to rob the hotel guests at his leisure. Pretty soon, chaos reigns at the hotel; there's massive confusion. Even the newspaper seller, Wally, whom Karl secretly loves, is slowly starting to mistrust him. When the director of "Hotel Europa" finally returns, he throws Karl out, who thereupon simply rents a room as a guest.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

No synopsis available yet.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Karl Geschwandtner, a porter in a large hotel, has only one wish: one day, he'd like to be the lord and master, as the saying goes: to be the porter and 'ruler' in the hotel. And luck helps him to temporarily fulfill his dream. But Karl doesn't just take over running the hotel, he feels the need to stick his nose in the life of his hotel guests, too. There are couples, who don't want to be put together or apart. When a valuable jewel goes missing, he plays detective and only succeeds in helping the thief to rob the hotel guests at his leisure. Pretty soon, chaos reigns at the hotel; there's massive confusion. Even the newspaper seller, Wally, whom Karl secretly loves, is slowly starting to mistrust him. When the director of "Hotel Europa" finally returns, he throws Karl out, who thereupon simply rents a room as a guest.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

The famous tightrope artist Truxa is drinking at the Artisan bar in New York. He meets a young man, Husen, and gives him his stage name Truxa. He is to take the real Truxa's place at a circus show in Wintergarten, Berlin.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

No synopsis available yet.

Film by Karel Lamac.

Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.

The famous actress Paula Corvey loves the young racer Werner Bruck. One day, Paula's 18-year old daughter returns unexpectedly to her mother. She was living with her father, Paula's ex-husband, but she's run off to Paula, because daddy wouldn't let her become a hot-to-trot actress like mama. Paula just doesn't know what to do. That she's the mother of a grown up girl is something she desperately wants to hide from Werner (no, honey, I swear: you don't look a day over 17 ... uh huh). So, to cover her little horny tracks, she tells Werner that Eva is her cousin. The plan backfires (ha ha!), when Werner falls for the "cousin". When Werner finally discovers the truth, a conflict develops (duhh!), which can only be solved by Paula finding a man her own age (thank you).

It's been said, that Dr. Kugler is always ready with some gossip about the missteps and bad habits of young girls. His daughter Lisa, however, is no saint either -- only he knows nothing about it and his wife is at wits' end about it. Finally, Aunt Edith has to stick her nose in everyone's affairs and in the end, she even finds a match for Lisa.

When his wife storms out of a dinner planned for his American boss (because their dog is not allowed at the table) an engineer substitutes his secretary and pretends she is the wife

A son, in defending Prussia circa 1814 under the thumb of Napoleon, washes away the disgrace of his aristocrat father who had collaborated with the French and caused the deaths of countrymen.

Ruritanian power struggle with opera singing.

A councilor is tricked by an impostor, whom he believes to be a baron. He gives him money and his marriageable daughter -- but then the real baron shows up and plays the chauffeur.

Charming Tom is pursuing fine Olivia both cheerfully and stubbornly. At first, she rejects him brutally; but then she finds pleasure in this intrusive guy, who’s following her everywhere. They spend an evening together; but afterwards, Olivia determines, that a valuable bracelet has been stolen from her. Now she thinks Tom is the infamous jewel thief, who’s been terrorizing the neighborhood.

Charming Tom is pursuing fine Olivia both cheerfully and stubbornly. At first, she rejects him brutally; but then she finds pleasure in this intrusive guy, who’s following her everywhere. They spend an evening together; but afterwards, Olivia determines, that a valuable bracelet has been stolen from her. Now she thinks Tom is the infamous jewel thief, who’s been terrorizing the neighborhood.

A music-hall singer leaves his loving wife to run off with Delphine. The singer's wife and Delphine's husband make them believe that they love each other and the singer, already tired of his affair, wins back his wife's heart.

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

No synopsis available yet.

Marie, adopted as a baby by Warrant Officer Guippo, helps a smuggler escape because he saved his life previously. She finds him again in Paris while she is engaged to Count Bertrand.

No synopsis available yet.

In this fast-moving fantasy, an unsophisticated student escapes from a boarding school to become, after many trials and tribulations, the "toast of Paris."

No synopsis available yet.

With her daughter Anita, a young singer, the widow Marianne von der Halden undertakes a journey into the past. She wants to see her former admirers again. One of them is the chamber singer Paul Schneider, who only remembers his childhood sweetheart with irony. They meet the former student Werner Birkner at his wedding, where Anita meets the teacher Michael Brantner. But the encounters make no impression on Marianne. Until she meets her former great love again at a concert given by her daughter, the general director Elmers. The concert is a resounding success and Marianne reconnects with Elmers, who is still unaware that Anita is his daughter.

With her daughter Anita, a young singer, the widow Marianne von der Halden undertakes a journey into the past. She wants to see her former admirers again. One of them is the chamber singer Paul Schneider, who only remembers his childhood sweetheart with irony. They meet the former student Werner Birkner at his wedding, where Anita meets the teacher Michael Brantner. But the encounters make no impression on Marianne. Until she meets her former great love again at a concert given by her daughter, the general director Elmers. The concert is a resounding success and Marianne reconnects with Elmers, who is still unaware that Anita is his daughter.

A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.

German film

No synopsis available yet.

No synopsis available yet.

Professor Bock is to inaugurate the museum, the construction of which was donated by a generous patron who remains anonymous. He learns that it is his brother's wife, a former dancer, and whom he hates. But her daughter falls in love with Jim, the son of the ex-dancer, and everything will work out.

A film actress falls for an extra on her set, he turns out to be a prince.

Young Anny returns from school to her circus family, which runs a little venue at the town fair. When Anny suddenly has to fill in for one of the artists, her piano-playing not only enthrals the audience, but also theatre agent Horbes. He casts the whole family for the Apollo theatre in Berlin, where Anny quickly raises to stardom and is offered an engagement from the US.

In the antique shop J.M. Mauritius, there’s astonishment when a young, beautiful woman, Gabriele Euler, inquires about an old fortress crest, which can be seen in the background on an old tapestry --- it’s, in fact, the same crest engraved on an old, silver jar belonging to Gabriele: a family heirloom. She discovers, that the crest is the landmark for Burg Uhlenfels. Determined to find out more about her allegedly noble roots, Gabriele takes off to explore Castle Uhlenfels … unaware it’s haunted.

Berlin, the center of pleasures and kingdom of small virtues. From all over Germany, young night owls come to burn themselves cheerfully in its lights, to drown in its champagne and fill its boxes and restaurants until dawn.

No synopsis available yet.