Jürgen Brüning

An employee of Joe's Streetcleaning Agency, a company that cleans up after grisly accidents, Rob brings home an entire decomposing corpse, much to the delight of his girlfriend, Betty.

Kôichi is a Japanese man living alone in Berlin. He has no job and hardly any friends. One night Kôichi meets Ryota at a bar which is also a sex club. Ryota came to Berlin to visit a German guy whom he had "met" on a dating app. His high hopes for romance (and marriage?) were quickly crushed since the German was only interested in sex, not even letting Ryota stay for the night. That is why Ryota ended up spending the night in the dark room of the sex club. Kôichi for some reason lets Ryota stay at his apartment. They have sex. Ryota goes out almost everyday to get laid by various local men and comes home to Kôichi's. Increasingly caught up with a strange feeling that is akin to but not quite frustration or curiosity (needless to say, it is not even close to love), Kôichi gradually gives himself up to sex with Ryota.

A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

Cyrus, Tim and Erik were high school buddies and meet again ten years later. They spend the summer together in Brazil. All of them are occupied in dealing with experiences from their past but new developments make them face their inner conflicts and their friendship with each other

Cyrus, Tim and Erik were high school buddies and meet again ten years later. They spend the summer together in Brazil. All of them are occupied in dealing with experiences from their past but new developments make them face their inner conflicts and their friendship with each other

Cyrus, Tim and Erik were high school buddies and meet again ten years later. They spend the summer together in Brazil. All of them are occupied in dealing with experiences from their past but new developments make them face their inner conflicts and their friendship with each other

Reminiscent of Sunset Boulevard, the action is transposed from the silver screen's old backlots to contemporary male prostitution and the pornographic industry.

The gay mafia Gang of Cherry is residing at a construction site somewhere in Thailand. One of its most notorious members is Mac aka PlayBoy, a gay male prostitute with an addiction for sm sex. Bipolar Cherry is the gang’s leader. The situation escalates when a shipment of drugs disappears.

A young Canadian woman who sings in Kreuzberg in a rock band, and her boyfriend, who lives in a politically active flat-sharing community. Due to the new capital situation, demolished buildings suddenly become sought-after buildings. The living and working situation of the musicians and other scene-people deteriorates massively.

Several short films about troubled gay youngsters who attempt to resolve their psychological issues through bizarre fetish play or sinister self expression.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

A woman who orgasms every time she plays tennis invites her neighbor over for a match.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism.

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.

LOVER LOVE, a new commission for the Leslie-Lohman Museum of Art by Shu Lea Cheang (b. 1954), begins with a portal. A window is flung open and the gray wall of an apartment block dissolves into a turbulent, overcast sky, against which a smoky being is enveloped by a six-winged seraphim—an angel of the highest order. This collaboratively scripted film moves between physical and virtual space: between performances in a motel room, a junkyard, and city streets amid surrounding nature, we can see desert plants blooming anthropomorphic appendages and souls escaping inhuman oppression to take transhuman flight.

Zalman Shoshi, born in Haifa to Holocaust survivors, grew up in a home marked by violence and trauma. As a teenager, Zalman ran away from home and survived by working as a sex worker. Later, Zalman reinvented himself as Shoshi, Israel's first transgender celebrity, who was both revered and feared. Their path also led to Berlin: a divided city where Holocaust survivors reopened bars, brothels, and peep shows, and where Israeli trans women found both refuge and danger.

Kôichi is a Japanese man living alone in Berlin. He has no job and hardly any friends. One night Kôichi meets Ryota at a bar which is also a sex club. Ryota came to Berlin to visit a German guy whom he had "met" on a dating app. His high hopes for romance (and marriage?) were quickly crushed since the German was only interested in sex, not even letting Ryota stay for the night. That is why Ryota ended up spending the night in the dark room of the sex club. Kôichi for some reason lets Ryota stay at his apartment. They have sex. Ryota goes out almost everyday to get laid by various local men and comes home to Kôichi's. Increasingly caught up with a strange feeling that is akin to but not quite frustration or curiosity (needless to say, it is not even close to love), Kôichi gradually gives himself up to sex with Ryota.

In Fucking Different XXX, the passion for explicit sex scenes brought eight international filmmakers together. The eight short films shot in Paris, Berlin and San Francisco are about intensive sex, quick sex, romantic sex, funny sex, the first sex, and the last sex. The range goes from a lesbian quickie in the toilet, a bloodthirsty orgy, romantic fisting all the way to wet teenage dreams. The result is a never seen before look upon sexual tastes and varieties, far from clichés, with a fresh and sometimes humorous approach.

In Fucking Different XXX, the passion for explicit sex scenes brought eight international filmmakers together. The eight short films shot in Paris, Berlin and San Francisco are about intensive sex, quick sex, romantic sex, funny sex, the first sex, and the last sex. The range goes from a lesbian quickie in the toilet, a bloodthirsty orgy, romantic fisting all the way to wet teenage dreams. The result is a never seen before look upon sexual tastes and varieties, far from clichés, with a fresh and sometimes humorous approach.

A down-on-his-luck adult film star sees a chance to make a comeback via a lesbian documentary film-maker, but she is exploiting him to get financial backing for her pet project.

Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

Shamelessly, Jürgen Brüning samples and remixes clips and scraps of material from his own work as a director and producer (among others for Bruce LaBruce & Shu Lea Cheang) with borrowed pop cultural references from around the world for this video essay on gay identity. His reflections are connected by songs that address miscellaneous news and social issues with egalitarian verve, sung by hot guys in a public toilet. A film full of meandering associations and unexplained references, it's at the same time a political musical and the taking stock of a romantic revolutionary. Anti-religious, anti-authoritarian and somehow also a bit anti-everything!

Shamelessly, Jürgen Brüning samples and remixes clips and scraps of material from his own work as a director and producer (among others for Bruce LaBruce & Shu Lea Cheang) with borrowed pop cultural references from around the world for this video essay on gay identity. His reflections are connected by songs that address miscellaneous news and social issues with egalitarian verve, sung by hot guys in a public toilet. A film full of meandering associations and unexplained references, it's at the same time a political musical and the taking stock of a romantic revolutionary. Anti-religious, anti-authoritarian and somehow also a bit anti-everything!

A dive down to the collective subconscious, where the man's stinking corpse is broken down into nourishing soil from which we are born again and rise to the surface with a new feminine thinking and feeling and unimaginable perversions. An artful film with a sweet side, but also violent sex scenes and a perverse taste.