Abderrahmane Sissako

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: he can no longer speak the local dialect and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.

Ahmed’s father has only a day with his wife and son before he must return to war. With haunting, innocent cruelty, the children play games that mirror the adult world, leading them to discover the harshness of destiny

A series of six dramatic shorts, each from a different African country and all on the broad theme of "love in Africa."

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

Aya, a young Ivorian woman in her early thirties, says no on her wedding day, to everyone’s astonishment. After emigrating to Asia, she works in a tea export shop with Cai, a 45-year-old Chinese man. Aya and Cai fall in love but can their affair survive the turmoil of their past and other people’s prejudices?

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: he can no longer speak the local dialect and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.

Before immigrating to the West, Abdallah travels to the coastal city of Nouadhibou, Mauritania, to visit his mother. Although he grew up there, Abdallah feels anything but at home in his old neighborhood: he can no longer speak the local dialect and he wears western clothes that immediately cast him as an outsider. But, as Abdallah spends time with a young boy and an elderly electrician, he can't help but feel a sense of loss for the life he's abandoning.

Ahmed’s father has only a day with his wife and son before he must return to war. With haunting, innocent cruelty, the children play games that mirror the adult world, leading them to discover the harshness of destiny

Ahmed’s father has only a day with his wife and son before he must return to war. With haunting, innocent cruelty, the children play games that mirror the adult world, leading them to discover the harshness of destiny

A series of six dramatic shorts, each from a different African country and all on the broad theme of "love in Africa."

A series of six dramatic shorts, each from a different African country and all on the broad theme of "love in Africa."

No synopsis available yet.

No synopsis available yet.

20 short films about human rights.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.

Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.

8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.

8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.

Just before the turn of the 21st century, Drahmane returns to his father's village in Sokolo, Mali. A contemplative bike stroll around town makes him reflect on the significance of time passing at the dawn of a new millennium. As everybody goes on with their daily tasks, Sokolo might as well be the center of the world. The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

Just before the turn of the 21st century, Drahmane returns to his father's village in Sokolo, Mali. A contemplative bike stroll around town makes him reflect on the significance of time passing at the dawn of a new millennium. As everybody goes on with their daily tasks, Sokolo might as well be the center of the world. The film earned Sissako awards at the Fribourg International Film Festival, the Ouagadougou Panafrican Film and Television Festival and the San Francisco International Film Festival.

This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a "chess bar" in the middle of the desert. They sit around drinking palm wine, playing board games and composing love poetry to imaginary women. All this changes with the arrival of Sarah, a sexually liberated, uninhibited metisse who easily lures Youssef into an affair. Soon he is dreaming not about chess but about opening a coffee bar in Genoa. The friendship is destroyed, the bar sold. Youssef, dressed in Western clothes, waits to leave with Sarah; will she show up? Said boards a train and sits down next to a Westernized woman bearing a resemblance to Sarah

Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

No synopsis available yet.

Al Zubarah tells the story of life in the old coastal city of Al Zubarah, one of Qatar’s most significant historical sites. From the break of dawn and the echo of morning prayer, the director, Abderrahmane Sissako travels with his audience through the alleys of the old city, into mosques, courtyards and markets, mapping the traditions and daily lives of one nation in a changing world. Goods are seen arriving on dhows from the sea and on camel caravans from the desert – through capturing a day in the life of the city the film articulates how a country became a global port with international visitors. The crisp clear pictures brushed with a special painting-effect across the film makes it feel timeless and eternal.

Al Zubarah tells the story of life in the old coastal city of Al Zubarah, one of Qatar’s most significant historical sites. From the break of dawn and the echo of morning prayer, the director, Abderrahmane Sissako travels with his audience through the alleys of the old city, into mosques, courtyards and markets, mapping the traditions and daily lives of one nation in a changing world. Goods are seen arriving on dhows from the sea and on camel caravans from the desert – through capturing a day in the life of the city the film articulates how a country became a global port with international visitors. The crisp clear pictures brushed with a special painting-effect across the film makes it feel timeless and eternal.

No synopsis available yet.

No synopsis available yet.

In Ethiopia, in a small country school, children have a lesson on the Millennium Development Goals. But one of the pupils, Tiya, is distracted, she doesn’t listen. She is staring at the window. Outside, some children are playing rugby... Abderrahmane Sissako's contribution to 8 (2008).

Shot in glimmering black-and-white reminiscent of classic silver-nitrate cinema, Sissako's 9-minute film was photographed over the course of seven days in March 2017 in Rawda Al Ghadriat, in the Northern Desert of Qatar, and features members of the Bedouin Al Naemi family, who provided some of the props and animals, including the bait al-sha'r-or nomad's tent.

Shot in glimmering black-and-white reminiscent of classic silver-nitrate cinema, Sissako's 9-minute film was photographed over the course of seven days in March 2017 in Rawda Al Ghadriat, in the Northern Desert of Qatar, and features members of the Bedouin Al Naemi family, who provided some of the props and animals, including the bait al-sha'r-or nomad's tent.

Little Men is about two sympathetic losers with good looks, about groovy tunes and dry slapstick humour.