Mikhail Agranovich

This film is not about Oleg Yankovsky in the usual sense: not a biography of a great actor, not a review of roles. And not the sharp facts from his personal life. Although it's all in the film: a dramatic fate, unknown pages of biography. Like any great actor, he possessed a secret - he did not tell both in the movies and in life. But his main gift was not even acting. Yankovsky was talented at making people fall in love with him. I wanted to look at him again and again: that's why they loved him and still love him.

The movie is about an old disabled lady who lives with her spinster daughter. The lady desperately wants her daughter to marry, and the daughter, driven by the supposed imminent death of her mother, invites a total stranger home and introduces him as her boyfriend. The man and the prospective mother-in-law eventually start to like each other, and he makes every effort to be liked by the daughter. With the intervention of a fantasy granddaughter, quasi-miraculous healing, and a lot of hilarious repartee in between, the movie has a happy ending.

The movie is about an old disabled lady who lives with her spinster daughter. The lady desperately wants her daughter to marry, and the daughter, driven by the supposed imminent death of her mother, invites a total stranger home and introduces him as her boyfriend. The man and the prospective mother-in-law eventually start to like each other, and he makes every effort to be liked by the daughter. With the intervention of a fantasy granddaughter, quasi-miraculous healing, and a lot of hilarious repartee in between, the movie has a happy ending.