Andrew Worsdale

Amidst failed harvests and the threat of AIDS, Zimbabweans look for work, preferably in South Africa. But their illegal status and xenophobic whites do not make life any easier in the neighbouring state.

Smith, the deaf and dumb son of a rural coloured preacher, refuses to accept the menial labour on offer in the small farming community where he’s grown up. He tries to earn a living in the city, but this ends in assault, and his return home sparks off a cycle of vengeful violence.

True story of a man who believes God owns the earth and land cannot be owned by anyone, therefore he's at liberty to build his church on ground occupied by others.

Set in the magical Karoo town of Prince Albert the story revolves around forgiveness, acceptance and the meaning of miracles. When Maritjie Naude, an 18 year old farmgirl and the only child of Ella and Kallie the owners of Hoopfontein, comes home on Christmas Eve and tells them that she’s pregnant, it’s enough to shock any parents of a young daughter, but then she drops a real bombshell that will flabbergast not only her mum and dad, but the entire town. Maritjie assures them that she’s still a virgin. The only explanation to her pregnancy – it must be the work of the Holy Spirit!

A slapstick comedy about a fictitious competition spoofing reality show competitions.

Twenty seven years after his UCLA graduate thesis film Shot Down was banned in his home country and went on to festival acclaim and cult status, writer-director Andrew Worsdale returns with this noir romance set among the marginalised white underclass. The film follows a police investigation into four murders and charts the doomed romance of the outlaw lovers. A deeply romantic, elegiac and universal crime story where the murders are not the point of the movie.

Twenty seven years after his UCLA graduate thesis film Shot Down was banned in his home country and went on to festival acclaim and cult status, writer-director Andrew Worsdale returns with this noir romance set among the marginalised white underclass. The film follows a police investigation into four murders and charts the doomed romance of the outlaw lovers. A deeply romantic, elegiac and universal crime story where the murders are not the point of the movie.

A portrait of left-wing white culture in 1980's Johannesburg.