Mauro Santini

Three months in the life of Chiara, an actress pushing forty and trying to find her way in a bustling Rome overrun by tourists. Invisible, precarious, Chiara restlessly piles up one experience after another, searching for the thing that will make her feel alive.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

A girl goes up a river from the mouth, backwards, perhaps in search of a place or fleeing from something... Among wolves and mysterious glances she will find someone who will give her refuge and who, in turn, will ask her for help...

Corso Salani's voice for "Dove sono stato", a film about the disappearance of a friend, is now embodied in the places where he should have starred in a film. Empty fields, which will forever miss the body of the missing friend, to document the absence and listen once again to a dear voice.

I have always looked for evidence of a lived time in a shaky shot or in unusable queues, or in the temporal dilation of a fragment. With Notturno this research continues within the image, penetrating it, running the pleasant risk of getting lost within it.

No synopsis available yet.

A girl goes up a river from the mouth, backwards, perhaps in search of a place or fleeing from something... Among wolves and mysterious glances she will find someone who will give her refuge and who, in turn, will ask her for help...

A girl goes up a river from the mouth, backwards, perhaps in search of a place or fleeing from something... Among wolves and mysterious glances she will find someone who will give her refuge and who, in turn, will ask her for help...

Corso Salani's voice for "Dove sono stato", a film about the disappearance of a friend, is now embodied in the places where he should have starred in a film. Empty fields, which will forever miss the body of the missing friend, to document the absence and listen once again to a dear voice.

Corso Salani's voice for "Dove sono stato", a film about the disappearance of a friend, is now embodied in the places where he should have starred in a film. Empty fields, which will forever miss the body of the missing friend, to document the absence and listen once again to a dear voice.

I have always looked for evidence of a lived time in a shaky shot or in unusable queues, or in the temporal dilation of a fragment. With Notturno this research continues within the image, penetrating it, running the pleasant risk of getting lost within it.

I have always looked for evidence of a lived time in a shaky shot or in unusable queues, or in the temporal dilation of a fragment. With Notturno this research continues within the image, penetrating it, running the pleasant risk of getting lost within it.

I have always looked for evidence of a lived time in a shaky shot or in unusable queues, or in the temporal dilation of a fragment. With Notturno this research continues within the image, penetrating it, running the pleasant risk of getting lost within it.

Carmaux and Wan Stiller, Mimmo and Sussò fishermen from the Old City, are looking for the Lady of Ventimiglia, here Carmela. An elderly and visionary Morgan sent them among childhood memories, fears of new imprisonments and adverse destinies, chatter in an arcane and mysterious language. The (free) life of today's pirates in the beautiful city of Taranto. Inspired by Jolanda, the daughter of the Black Corsair by Emilio Salgari.

Carmaux and Wan Stiller, Mimmo and Sussò fishermen from the Old City, are looking for the Lady of Ventimiglia, here Carmela. An elderly and visionary Morgan sent them among childhood memories, fears of new imprisonments and adverse destinies, chatter in an arcane and mysterious language. The (free) life of today's pirates in the beautiful city of Taranto. Inspired by Jolanda, the daughter of the Black Corsair by Emilio Salgari.

Discreetly following the restoration work carried out in the piano nobile of the Ducal Palace of Urbino, Le opere, i giorni enters the bustling life of the construction site, taking viewers behind the scenes of a three-year process marked by uncertainties, discoveries, and transformations. An unprecedented, in medias res perspective from which to glimpse the enchanting harmony of one of the most significant sites of the Italian Renaissance.

Vaghe stelle is a seven-chaptered film, conceived as a musical album and composed of seven movements, which can be watched singly (like songs), or in the established order (like a record) or also mixing the films creating new combinations or possible narrations.

It's a story that begins long ago. In the early 2000s, a young comic artist decided to tell stories through drawings, far from the canons of mainstream comics. He did it under the banner of DIY and sharing: small, stapled booklets, photocopied, bound, and mailed directly. In those strips, suspended between anticipation and memory, the stories are about lives that intersect, friendships, love, out-of-town students, the disorientation before growing up, fanzines, and self-produced records. In the background, the quiet indolence of the provinces. That young comic artist became Alessandro Baronciani, now one of the leading figures in Italian authorial comics, and that project was "Una storia a fumetti".

It's a story that begins long ago. In the early 2000s, a young comic artist decided to tell stories through drawings, far from the canons of mainstream comics. He did it under the banner of DIY and sharing: small, stapled booklets, photocopied, bound, and mailed directly. In those strips, suspended between anticipation and memory, the stories are about lives that intersect, friendships, love, out-of-town students, the disorientation before growing up, fanzines, and self-produced records. In the background, the quiet indolence of the provinces. That young comic artist became Alessandro Baronciani, now one of the leading figures in Italian authorial comics, and that project was "Una storia a fumetti".

A short, but white is the screen: and in the screen the shapes are formed by deforming themselves.

Marseille, boulevard d'Athènes, 26 April 2006. Lisbon, S.Mamede, 19 October 2007. Madrid, calle de Atocha, 13 May 2008. Three glances from hotel room windows, three days of unknown passers-by: the street and the bars, meetings and loneliness, loves and missed appointments.

Marseille, boulevard d'Athènes, 26 April 2006. Lisbon, S.Mamede, 19 October 2007. Madrid, calle de Atocha, 13 May 2008. Three glances from hotel room windows, three days of unknown passers-by: the street and the bars, meetings and loneliness, loves and missed appointments.

Marseille, boulevard d'Athènes, 26 April 2006. Lisbon, S.Mamede, 19 October 2007. Madrid, calle de Atocha, 13 May 2008. Three glances from hotel room windows, three days of unknown passers-by: the street and the bars, meetings and loneliness, loves and missed appointments.

The voices, faces and bodies of the students of the Liceo Artistico Mengaroni in Pesaro embody the characters of two novels by Cesare Pavese, La bella estate and Il diavolo in collina. Seventy years later, the "beautiful summers" of Ginia and Guido, Amelia and Poli, Oreste, Pieretto, are staged by contemporary bodies who read Pavese's words and discover the closeness of the themes addressed by the author to their own experience, feeling the emotions that the staging of some episodes of the two works arouses in them.

Autumn 2018: Elia, Ester, Ginevra, Ilenia, Loris, and Tiffany begin their school journey at the primary school of Pieve Torina, newly rebuilt on the site of the previous one, which—like much of the town—was destroyed by the earthquake that struck the Marche region in 2016. From learning to read and write to filming videos of their own, the film follows them over the course of five school years, concluding in the summer of 2023, as they prepare to move on to middle school. Amid separations and reunions, online classes and afternoons at the swimming pool, with the rubble still visible and reconstruction ongoing, the children grow up before the camera.

Autumn 2018: Elia, Ester, Ginevra, Ilenia, Loris, and Tiffany begin their school journey at the primary school of Pieve Torina, newly rebuilt on the site of the previous one, which—like much of the town—was destroyed by the earthquake that struck the Marche region in 2016. From learning to read and write to filming videos of their own, the film follows them over the course of five school years, concluding in the summer of 2023, as they prepare to move on to middle school. Amid separations and reunions, online classes and afternoons at the swimming pool, with the rubble still visible and reconstruction ongoing, the children grow up before the camera.

"If in 'Di Ritorno' the movement leads to a well-defined place (the childhood home) even if it is no longer present, in 'Dietro i Vetri ' you get lost among the colours, the memories. The journey, without a declared destination, dissolves, like the cloud beyond the window..."

"If in 'Di Ritorno' the movement leads to a well-defined place (the childhood home) even if it is no longer present, in 'Dietro i Vetri ' you get lost among the colours, the memories. The journey, without a declared destination, dissolves, like the cloud beyond the window..."

"If in 'Di Ritorno' the movement leads to a well-defined place (the childhood home) even if it is no longer present, in 'Dietro i Vetri ' you get lost among the colours, the memories. The journey, without a declared destination, dissolves, like the cloud beyond the window..."

No synopsis available yet.

Marseille: Boulevard d'Athénes day and night, the Grande Joliette, the Corniche. Four stories, four views on the city. "Reviewing the images shot in Marseille for the feature film Flòr da Baixa, I immediately had the impression that a new film could be born from that material, largely already completed in the act of shooting, with minimal editing interventions, always taking away, without interventions on time and image. Thus Un Jour à Marseille was born, with great simplicity, the same as the little stories it shows. I believe it represents an important transition for me: from the subjective gaze of my early works to the evidence of reality, which is only apparently more transparent."

Marseille: Boulevard d'Athénes day and night, the Grande Joliette, the Corniche. Four stories, four views on the city. "Reviewing the images shot in Marseille for the feature film Flòr da Baixa, I immediately had the impression that a new film could be born from that material, largely already completed in the act of shooting, with minimal editing interventions, always taking away, without interventions on time and image. Thus Un Jour à Marseille was born, with great simplicity, the same as the little stories it shows. I believe it represents an important transition for me: from the subjective gaze of my early works to the evidence of reality, which is only apparently more transparent."

No synopsis available yet.

No synopsis available yet.

Vaghe stelle is a seven-chaptered film, conceived as a musical album and composed of seven movements, which can be watched singly (like songs), or in the established order (like a record) or also mixing the films…

"Giorno di Scuola" is the story of a day for pupils at the Pieve Torina primary school: the morning school bus that collects the children on the hills, the hours of lessons with syllables and questions, recess with its meetings; but also the contrast between the carefreeness of a normal school day and the surrounding difficulties, evident in the walk of a class outside the school. Hour after hour, "Giorno di Scuola" becomes the portrait of women and men of the near future who, caught in the act of learning, in turn give a lesson in lightness and teaching to see with new eyes, to observe the horizon from the of a school desk.

"Giorno di Scuola" is the story of a day for pupils at the Pieve Torina primary school: the morning school bus that collects the children on the hills, the hours of lessons with syllables and questions, recess with its meetings; but also the contrast between the carefreeness of a normal school day and the surrounding difficulties, evident in the walk of a class outside the school. Hour after hour, "Giorno di Scuola" becomes the portrait of women and men of the near future who, caught in the act of learning, in turn give a lesson in lightness and teaching to see with new eyes, to observe the horizon from the of a school desk.

Soft steps mark the snow. They follow a blackbird, then find the sea. The third walk gets lost in an echo of childhood games.

The fourth walk follows the course of a river; then it goes up towards a village, still and solitary, until a breath of wind.

Lungomare Adriatico was born following a request by the Mostra del Nuovo Cinema in Pesaro to create a new theme song for the festival; the initial intention was then amplified into seven 43-second theme songs, one for each day of the festival. The project is composed of seven variations on a single subject: a wave.

"It all started with a flea market and "Les rêveries du promeneur solitaire". A night storm and the cat Vadinho did the rest, leading me on the first walk."

There are various kinds of vacations: the summer ones with their lazy sunny afternoons at the end of August. The winter holidays spent waiting for summer; or those filtered through the eyes of child, the ones where we can find something of ourselves, in the steps and in the gazes. But holidays are also the vacuum left by a mother and a father, and an attempt to fill this void with images.

There are various kinds of vacations: the summer ones with their lazy sunny afternoons at the end of August. The winter holidays spent waiting for summer; or those filtered through the eyes of child, the ones where we can find something of ourselves, in the steps and in the gazes. But holidays are also the vacuum left by a mother and a father, and an attempt to fill this void with images.

There are various kinds of vacations: the summer ones with their lazy sunny afternoons at the end of August. The winter holidays spent waiting for summer; or those filtered through the eyes of child, the ones where we can find something of ourselves, in the steps and in the gazes. But holidays are also the vacuum left by a mother and a father, and an attempt to fill this void with images.

“Did you have any relatives living there?” asks the lady: in a certain way… The fifth walk descends a park, where once was a street and a hairdresser’s shop, at number 24.

A sloping path is the journey of the second walk, led by the far lapping of the waves. Rêverie of voyages of winds and mermaids across the seas, wrecks and landfalls.