Marie-Agnès Gillot

Marthe discovers her mother’s death was a suicide, not an accident. At the hospital where she was once institutionalized, Marthe investigates the past—unraveling family secrets and facing a disturbing truth that threatens her grip on reality.

As Les Restos du Cœur have just celebrated their 40th anniversary, you voted for your favorite tracks from among 40 legendary Enfoirés songs…

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Charlotte Dauphin explores the semiotics of dance and sculpture through an emotional confrontation performed by Marie-Agnès Gillot

Les Enfoirés "À côté de toi" is the 31st album/show by Les Enfoirés, recorded from January 14 to 17, 20211 at Lyon's Halle Tony-Garnier. The show was recorded without an audience due to the Covid-19 pandemic.

In January 2023, the Enfoirés performed at La Halle Tony Garnier in Lyon. True to the caused started by Coluche in 1985, forty-seven renowned artists responded, in a festive and warm atmosphere. The Enfoirés are back with the public after two years of absence. Beautiful moments of emotion and laughter are on the agenda.

No synopsis available yet.

No synopsis available yet.

Gaspard, 17 years old, relentlessly records everyday sounds in the hope of waking up his mother who is in a deep coma. But for his father, these experiences isolate him more and more from the outside world, and jeopardize the fragile balance of the family. Will Gaspard's obsessive determination pay off?

In *For Gods Only*, choreographer Olivier Dubois offers a fresh interpretation of *The Rite of Spring* in collaboration with dancer Marie-Agnès Gillot. The performance explores the dual themes of fame and self-sacrifice.

At a wedding where the husband runs away, everyone has his own story to tell about the trivial misfortune of a person in love with someone that slips away. The guests paint a full picture of clumsiness, lies, and bad luck, that makes impossible, whatever the age, all attempts of seduction... or close enough !

In January 2017, Les Enfoirés set the Zénith in Toulouse alight with seven exceptional concerts. Faithful to the cause started by Coluche in 1985, thirty-seven renowned artists answered his call, in a festive and warm atmosphere. This year, Les Enfoirés made their revolution and offered a collective show punctuated by 17 tableaux as poetic as they were spectacular through the ages. The entire troupe invites us on March 3 to set sail aboard the liner "Mission Enfoirés" for a cruise with Gérard Jugnot as captain, in search of his sweetheart...

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

Au rendez-vous des Enfoirés is the twenty-sixth album by Les Enfoirés , recorded during their series of concerts in Paris from the 20th to January 25, 2016

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No synopsis available yet.

In 2008, the Opéra national de Paris honored the legendary Jerome Robbins. Though the general public may remember him primarily for his staging and choreography of Bernstein’s West Side Story, Robbins was also a brilliant ballet choreographer. In this production, we discover three of his works of classical ballet—En sol, In the Night, and The Concert—paired with Benjamin Millepied’s Triade.

An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.

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Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.

Frederick Wiseman observes the ins and outs of the Paris Opera House, including the processes behind seven of their operas: Genus (Wayne McGregor), Le Songe de Médée (Angelin Preljocaj), La Maison de Bernarda (Mats Ek), Paquita (Pierre Lacotte), Casse-Noisette (Rudolf Nureyev), Orphée et Eurydice (Pina Bausch), and Roméo et Juliette (Sasha Walt).

ETOILES: DANCERS OF THE PARIS OPERA BALLET celebrates the legacy one of the best ballet companies in the world by weaving together rehearsals, tour snapshots and performances of classical ballets such as Swan Lake and La Sylphide, as well as contemporary works such as Maurice Bejart's Ninth Symphony, Jiri Kylian's Doux Mensonge (Sweet Lies) and Pierre Darde's Orison. Celebrated filmmaker Nils Tavernier endeavors to understand the psychology of dance by talking candidly with some of the biggest stars in dance today. The film also features interviews with the dancers who explain how and why they endure the emotional and physical hardships of their profession in their intense drive to be on stage.

Raymonda is an emotional three-act ballet with music by Alexandre Glazunov. Premiered at the Mariinsky Theater in 1898 featuring choreography by Marius Petipa, the ballet is performed here with Rudolf Nureyev's adapted choreography for his 2008 production at the Opéra de Paris, starring the great Marie-Agnès Gillot, José Martinez, and Nicolas Le Riche.

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

Giselle, the Romantic ballet par excellence! Relive the story of a young country girl's innocent love for the Duke Albrecht. When she learns that he is already engaged to marry a princess, Giselle suffers violent hallucinations and then dies. In vengeance, the Queen of the Wilis—the ghosts of young girls who die before their time—condemns Albrecht to dance until he dies of exhaustion...

Nicolas Le Riche and Marie-Agnès Gillot star in the legendary Roland Petit and Jean Cocteau's pioneering one-act ballet Le Jeune homme et la Mort. This 2005 production at the Opéra de Paris stays true to Petit’s original scenic and choreographic conception, from the dark, dingy apartment of the Young Man to the disturbing yellow dress and jet-black coiffe of the villainess. A mesmerizing drama in dance as virtuosic as it is unsettling!

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

Inspired by Goethe's early romantic play Clavigo, Roland Petit's ballet recounts the agonies of a weak-willed lover torn between the contradictory promptings of his heart and his evil spirit, which urges him to serve his own interests and forsake true love in favor of a life of debauchery. Recorded live at the Opera National de Paris, Palais Garnier, October 1999.