
Directing
Noboru Nakamura
Born 1913-08-04 · Tokyo, Japan
Noboru Nakamura (中村登, Nakamura Noboru, 4 August 1913 – 20 May 1981) was a Japanese film director and screenwriter. After graduating from the Tokyo Imperial University Faculty of Letters in 1936, Nakamura joined the Shochiku film studios, working as an assistant director for Torajirō Saitō and Yasujirō Shimazu. He debuted as director in 1941 with Life and Rhythm, and finally received recognition with his 1951 film Home Sweet Home. His most noted works include the Yasunari Kawabata adaptation Twin Sisters of Kyoto (1963), The Kii River (1966) and Portrait of Chieko (1967). Both Twin Sisters of Kyoto and Portrait of Chieko were nominated for the Academy Award for Best Foreign Language Film Nakamura was posthumously awarded the Order of the Rising Sun, 4th class.
Acting credits
Behind the camera
6.5In this Japanese drama, a dry goods merchant's daughter is surprised to discover that she has a twin sister. In rural Japan it was thought that twins bring bad luck, so the sister was abandoned at birth. Later her parents tell her that her sister was kidnapped. The woman doesn't believe this and when she eventually meets her twin, both women are involved in love affairs. The merchant's daughter is seeing an educated fellow. Trouble ensues when she begins suspecting that he may be more interested in her sister.
Twin Sisters of Kyoto
1963
6.0Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.
When It Rains, It Pours
1957
6.0Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.
When It Rains, It Pours
1957
NRThe anonymous partnership Investment Economic Association, led by its president Ryuichi Amano, collected money from many ordinary people and paid out large dividends, making it famous as "Japan's only investment bank for ordinary people." On the other hand, Detective Muneharu Matsumoto of the Metropolitan Police Department's Second Investigative Division has suspicions about this organization, and has been spying on the business association for many years. However, Matsumoto was having a hard time getting any solid proof of the nature of the incident...
Irohanihoheto
1960
6.8Yoshie Nogami, a factory worker by day, works as a bar hostess at night. She begins a passionate affair with one of her regulars, but his changing demeanor and constant demands for money lead Yoshie down a dark path.
The Shape of Night
1964
NRNo synopsis available yet.
Vagabond Lovers
1959
NRBorn to a prestigious family, Natsuko is not impressed by any one of her suitors. Determined to spend her life serving god, she sets off to a convent in Hakodate, Hokkaido, and meets along the way a young bear-hunter with whom she begins an adventure.
Natsuko’s Adventure in Hokkaido
1953
6.8The Ueki family may not be wealthy, but smiles are never in short supply. The father is awarded prize money for 25 years of service to his workplace, but has it stolen on the way home from the ceremony...
Home Sweet Home
1951
9.0No synopsis available yet.
My Destiny
1968
9.0A story about being scared of getting old.
Sanbaba
1974
NRMovie by Nakamura Noboru.
Kagami no naka no razō
1963
NRNo synopsis available yet.
Women of Tokyo
1961
NRThis story takes place at a school under the new educational system. It all began when a love letter addressed to Takeshi Kodama, the straightforward art teacher, from Yoko Kagawa, a young and beautiful female teacher, was found lying in the school hallway. It soon became clear that Ms. Kagawa was not the one who had written the letter, but this incident made her feel the need to explore the emotions of her adolescent female students.
The Love Letter Trial
1951
Shuzenji Monogatari (The Mask and Destiny) is based on a 12th-century Japanese legend. An abortive royal romance leads to an escalating series of tragedies. The central character is a Japanese monarch who would prefer to live a humble existence as a maskmaker. Unfortunately, events -- and destiny -- are against him. When first released, Shuzenji Monogatari was held in far lower esteem than such recent Japanese films as Gate of Hell and Samurai. Nevertheless, the film was selected as an entry at the Venice Film Festival, possibly on the strength of its excellent production values.
The Mask and Destiny
1955
NRThis was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.
Otoko no iki
1942
NRThis was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.
Otoko no iki
1942
NRIn the fourth year of Keio (1868), defeated retainers sought to restore the Tokugawa shogunate with the help of Enomoto Takeaki's navy. Honda Koroiku was one of them. He discreetly handed a departure note to his fiancée, Otosei, the daughter of Matsudaira Soebe, and left Edo. Otosei's cousin and Koroiku's friend, Domae Daikichi, was once a brave warrior of the shogunate army. However, he had since fallen into a life of debauchery in Yanagibashi and was rumored to be involved with a geisha named Orikki.
Edo no yubae
1954
NRThe film adaptation of Yuzo Yamamoto's novel tells the story of the difficult fate of a single mother in pre-war Japan.
A Woman's Life
1955
7.5Epic saga of an idealistic land-owning family dealing with militarism, war, social change and economic reform.
The Kii River
1966
NRNo synopsis available yet.
A Roaring Trade
1962
7.0An epic drama about Nichiren's life. Nichiren was a Buddhist monk who lived for 60 years during the Kamakura period (1185-1333) in Japan. Nichiren taught devotion to the Lotus Sutra as the exclusive means to attain enlightenment. Because of his devout belief, Nichiren is met with opposition throught his travels, with life on the line, can Nichiren accomplish his goal?
Nichiren
1979
7.0An epic drama about Nichiren's life. Nichiren was a Buddhist monk who lived for 60 years during the Kamakura period (1185-1333) in Japan. Nichiren taught devotion to the Lotus Sutra as the exclusive means to attain enlightenment. Because of his devout belief, Nichiren is met with opposition throught his travels, with life on the line, can Nichiren accomplish his goal?
Nichiren
1979
NRAfter marrying off one daughter, a widowed father struggles with loneliness and the changing lives of his children. While his younger daughter falls in love with a charming but controversial man, his older daughter remains emotionally tied to a former lover who has since married. As tensions over marriage, independence, and family expectations grow, the family is forced to confront the gap between traditional values and modern relationships in postwar Japan.
Sôshun
1968
NRAfter marrying off one daughter, a widowed father struggles with loneliness and the changing lives of his children. While his younger daughter falls in love with a charming but controversial man, his older daughter remains emotionally tied to a former lover who has since married. As tensions over marriage, independence, and family expectations grow, the family is forced to confront the gap between traditional values and modern relationships in postwar Japan.
Sôshun
1968
