Acting

Hugo Della Santa

Known for

Acting

Credits

7 titles

Known for

Os Imigrantes poster
7.0

In Europe, at the end of the 19th century, social policies sent thousands of immigrants out of their countries. A Spaniard, a Portuguese, and an Italian seek new opportunities in the new country, without imagining the difficulties along the way.

Os Imigrantes

1981

The Teenagers poster
NR

Four teenagers, each facing a major conflict. Majô, the daughter of separated parents, has fallen in love with her mother Raquel’s husband, the teacher Túlio. Caíto, who is gay, lives in a dysfunctional home where his parents' marriage—Dirceu and Marilu’s—is going from bad to worse. Doca is a drug addict, and his sister Bia has become pregnant by her boyfriend, Michel. Their parents, Odilon and Paula, are deeply unhappy as well. Interwoven with their stories is that of Túlio—a former addict turned upstanding teacher—who encounters a haunting figure from his past: his ex-sister-in-law, Fernanda.

The Teenagers

1981

Ninho da Serpente poster
7.5

The traditional Taques Penteado clan is intimately linked to the history of São Paulo itself and is considered a significant representative of the São Paulo business world. Ill, Cândido Taques, brother of the matriarch Guilhermina Taques Penteado, lived isolated from everyone on the third floor of the family mansion in the elegant Jardim Europa neighborhood. Cândido's death puts the clan members on alert, awaiting his inheritance: a large fortune in cash, jewels, and stocks. The dispute over the inheritance, in an environment dominated by Guilhermina, and the game of interests among heirs unleash several conflicts, generating an atmosphere of oppression. The characters reveal themselves through their greater or lesser commitment to gaining access to the fortune. Some show no scruples whatsoever in obtaining it, while others, more skillful and diplomatic, resort to less petty means: they seek, for example, to take advantage of a close relationship with the matriarch.

Ninho da Serpente

1982

The Next Victim poster
4.8

A TV reporter tries to find out who is killing prostitutes in a São Paulo neighbourhood.

The Next Victim

1983

Jeitosa, Um Assunto Muito Particular poster
4.2

No synopsis available yet.

Jeitosa, Um Assunto Muito Particular

1984

Romance poster
4.6

After a man dies under mysterious circumstances, his girlfriend and his gay lover deal with his death in different ways.

Romance

1988

Film credits

Series credits

Os Imigrantes poster
7.0

In Europe, at the end of the 19th century, social policies sent thousands of immigrants out of their countries. A Spaniard, a Portuguese, and an Italian seek new opportunities in the new country, without imagining the difficulties along the way.

Os Imigrantes

1981

The Teenagers poster
NR

Four teenagers, each facing a major conflict. Majô, the daughter of separated parents, has fallen in love with her mother Raquel’s husband, the teacher Túlio. Caíto, who is gay, lives in a dysfunctional home where his parents' marriage—Dirceu and Marilu’s—is going from bad to worse. Doca is a drug addict, and his sister Bia has become pregnant by her boyfriend, Michel. Their parents, Odilon and Paula, are deeply unhappy as well. Interwoven with their stories is that of Túlio—a former addict turned upstanding teacher—who encounters a haunting figure from his past: his ex-sister-in-law, Fernanda.

The Teenagers

1981

Ninho da Serpente poster
7.5

The traditional Taques Penteado clan is intimately linked to the history of São Paulo itself and is considered a significant representative of the São Paulo business world. Ill, Cândido Taques, brother of the matriarch Guilhermina Taques Penteado, lived isolated from everyone on the third floor of the family mansion in the elegant Jardim Europa neighborhood. Cândido's death puts the clan members on alert, awaiting his inheritance: a large fortune in cash, jewels, and stocks. The dispute over the inheritance, in an environment dominated by Guilhermina, and the game of interests among heirs unleash several conflicts, generating an atmosphere of oppression. The characters reveal themselves through their greater or lesser commitment to gaining access to the fortune. Some show no scruples whatsoever in obtaining it, while others, more skillful and diplomatic, resort to less petty means: they seek, for example, to take advantage of a close relationship with the matriarch.

Ninho da Serpente

1982