Aina Calleja

Julia is my mother. She's worked as a hairdresser all her life, but she's retired now. She spends her weekdays cooking and styling her friends' hair; but her greatest dream is taking care of her grandson, my son. He comes to visit us once a week and stays overnight. The morning after one of those nights, my mother tells me she thinks she's had a stroke. I don't know what to say; I hug her. Two weeks later, we shot this film.

When a couple of filmmakers decide to shoot a documentary about couples in love, problems and tensions between the two force them to question their own relationship and the meaning of cinema.

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.

A married couple who are in an argument will discover that only silence will keep them together.

A married couple who are in an argument will discover that only silence will keep them together.