Giya Lordkipanidze

One day my husband came home from hunting, and there... the wife is alone, but in complete shock because she was raped. The husband calls an ambulance with the police, grabs a gun and runs to deal with everyone who comes along. Some higher power has already unwound its ruthless flywheel. The gun will certainly shoot, and more than once, blood will be shed, lives will be destroyed...

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

They saw each other only once. At a wedding with lots of alcohol. Their eyes met and that was it. They didn't understand rationally what happened to them but they felt that they cannot keep living and breathing without each other. Cosmic magnetism with irresistible intensity pulled them together. They no longer belonged to themselves, their families and friends and that's how a tragedy evolves.

This film presents a contemporary view on modern Russian upper-class youth. The film genre is a social drama. The main five characters of the movie are financially secured and socially successful - producing, managing and hosting a popular TV show. They are beautiful, happy and satisfied with their lives. They are good friends to each other and the others. The glass world they surrounded themselves by is full of love and smiles... Until one day something happens to the leading character and suddenly they all face the real world. The glass shatters. Their lives are changed forever. They will never be the same

One day my husband came home from hunting, and there... the wife is alone, but in complete shock because she was raped. The husband calls an ambulance with the police, grabs a gun and runs to deal with everyone who comes along. Some higher power has already unwound its ruthless flywheel. The gun will certainly shoot, and more than once, blood will be shed, lives will be destroyed...

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

The main characters of the film are Zinedine Zidane and Marco Materazzi, participants in the most scandalous episode in the history of football. During extra time of the final match of the 2006 World Cup, pitting France against Italy, the French leader, superstar Zidane, for some unknown reason took a running start and head-butted Materazzi in the chest. Zidane was sent off the field and, as a result, the French lost the match on penalties. This head-butt and the unexpected loss were now bound together in the minds of sports fans forever. But the burning question - why did it happen? – has never been properly answered. After thoroughly studying the lives of the participants in this match, the filmmakers reveal an amazing story: The 2006 World Cup appears to us in the form of a play “directed by the Creator”.