Christian von Borries

Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.

Composer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.

What if Putin’s Russia in 2022 had never happened? Such is the hypothesis of this historical-hysterical dystopia, partly generated by AI, and driven by our political unconscious.

In this documentary filmed in 2009, Christian von Borries uses a range of filmic techniques to contrast the idealised and skilfully marketed image of the city of Dubai with the reality of the system of exploitation of a transnational proletariat needed to build and run the city.

Filmed in September of 2012, this self-confessed sci-fi documentary follows life at Mexico while reflection on what happens using Wagner's music and quotes from Raw Materials for a Theory of the Young Girl.

Composer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.

Composer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.

What if Putin’s Russia in 2022 had never happened? Such is the hypothesis of this historical-hysterical dystopia, partly generated by AI, and driven by our political unconscious.

In this documentary filmed in 2009, Christian von Borries uses a range of filmic techniques to contrast the idealised and skilfully marketed image of the city of Dubai with the reality of the system of exploitation of a transnational proletariat needed to build and run the city.

In this documentary filmed in 2009, Christian von Borries uses a range of filmic techniques to contrast the idealised and skilfully marketed image of the city of Dubai with the reality of the system of exploitation of a transnational proletariat needed to build and run the city.