Sérgio Oliveira

Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

No synopsis available yet.

Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

When humans become animals and animals become humans.

When humans become animals and animals become humans.

When humans become animals and animals become humans.

A Brazilian development project, initiated during the military dictatorship in the 1970s, encouraged the “exploration” of northern Brazil by settlers from Paraná, Santa Catarina, and Rio Grande do Sul. Based on a German-inspired festival held in Sinop, Mato Grosso, where an anonymous, fictional, and suspicious character wanders through forests and plantations, the narrative offers a free-form account of an immigration process that caused, and continues to cause, cultural, environmental, and political changes in a region once inhabited by diverse Indigenous peoples.

A Brazilian development project, initiated during the military dictatorship in the 1970s, encouraged the “exploration” of northern Brazil by settlers from Paraná, Santa Catarina, and Rio Grande do Sul. Based on a German-inspired festival held in Sinop, Mato Grosso, where an anonymous, fictional, and suspicious character wanders through forests and plantations, the narrative offers a free-form account of an immigration process that caused, and continues to cause, cultural, environmental, and political changes in a region once inhabited by diverse Indigenous peoples.

A Brazilian development project, initiated during the military dictatorship in the 1970s, encouraged the “exploration” of northern Brazil by settlers from Paraná, Santa Catarina, and Rio Grande do Sul. Based on a German-inspired festival held in Sinop, Mato Grosso, where an anonymous, fictional, and suspicious character wanders through forests and plantations, the narrative offers a free-form account of an immigration process that caused, and continues to cause, cultural, environmental, and political changes in a region once inhabited by diverse Indigenous peoples.

No synopsis available yet.

Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.

Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

The freedom of free thought in a visual discourse that blends art with science, biography with transcendence, and geography with destiny. Inspired by the legacy of physicist Mario Schenberg.

The freedom of free thought in a visual discourse that blends art with science, biography with transcendence, and geography with destiny. Inspired by the legacy of physicist Mario Schenberg.

The freedom of free thought in a visual discourse that blends art with science, biography with transcendence, and geography with destiny. Inspired by the legacy of physicist Mario Schenberg.

A suburban neighborhood in Recife (Peixinhos) shows that freedom has a past, present, and future.

A suburban neighborhood in Recife (Peixinhos) shows that freedom has a past, present, and future.

Road movie through Peru, Buenos Aires, São Tomé das Letras, Recife and São Paulo, but with no defined destination. It records the lifestyle of those who live free in the world, nomads in the sub-continent of Latin America.

Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.

Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.

When the Netuno Circus returns to Fernando de Noronha, it brings back a young man with a turbulent past. Pedro is now Zolah, the human cannonball. When secrets surface, bizarre family reunions rival the circus performances.