Michel Chion

"When I began to write and shoot my film Eponine in 1975, I wanted to consciously ‘test’ this and other concepts of analysis with a film; the character of a mother without a face; the suggestion through sound of an outside world that one never sees (since the film takes place within the walls of a house from which one does not go out); the creation of an imaginary topography. The success of this film showed me that the concepts ‘worked’. Thus, for me, theory is not a dead demonstration. A living theory must be drawn from a personal experience." - Michel Chion

Film composer and critic Michel Chion analyzes the sound design in Jacques Tati's films.

This documentary explores every facet of this job of complex and exciting sound which David Lynch leads since Eraserhead, his first film and matrix work. Picture lesson of this trip, they cross three points of view: that of the very film-maker, that of his closest collaborator in this domain, the compositor Angelo Badalamenti, and that of an acknowledged critic and specialist of sound in the cinema in general and David Lynch particularly, Michel Chion.

Short film directed by Michel Chion.

"When I began to write and shoot my film Eponine in 1975, I wanted to consciously ‘test’ this and other concepts of analysis with a film; the character of a mother without a face; the suggestion through sound of an outside world that one never sees (since the film takes place within the walls of a house from which one does not go out); the creation of an imaginary topography. The success of this film showed me that the concepts ‘worked’. Thus, for me, theory is not a dead demonstration. A living theory must be drawn from a personal experience." - Michel Chion

Short film directed by Michel Chion.