Acting
Carlos Cotrim
Born 1913-12-13
Acting credits
8.0No synopsis available yet.
Somos Dois
1950
6.3Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah
Nem Sansão Nem Dalila
1955
4.5No synopsis available yet.
Mujeres de fuego
1958
8.0A drama about double personality
The Shadow of Another
1950
6.5No synopsis available yet.
Procópio no Cinema
1978
9.0No synopsis available yet.
Quem Matou Anabela?
1956
7.0Arlindo works delivering the clothes that his wife washes. During a working day, he finds a customer's cat, who offers a reward to whoever returns it. To deliver the animal, he ends up going through a lot of confusion.
O Gato de Madame
1957
6.0A poor girl must find the money to pay for her blind sister's eyesight operation.
Rua sem Sol
1954
7.5Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).
Bloody Hands
1955
3.5When chain gang prisoners attack their guards, some of the hardened criminals escape Brazil's infamous Anchieta Prison amidst all the pick-ax carnage. The government dispatches a machine-gun squad to round up the fugitives.
The Violent and the Damned
1962
7.0No synopsis available yet.
O Rei do Samba
1952
10.0Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.
Sand
1952
10.0No synopsis available yet.
Mud Angel
1951