Acting

Carlos Cotrim

Born — Died

1913-12-13 — 1978-10-28

Known for

Acting

Credits

13 titles

Known for

Film credits

1950s · 11 titles

Somos Dois poster
8.0

No synopsis available yet.

Somos Dois

1950

Nem Sansão Nem Dalila poster
6.3

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah

Nem Sansão Nem Dalila

1955

O Gato de Madame poster
7.0

Arlindo works delivering the clothes that his wife washes. During a working day, he finds a customer's cat, who offers a reward to whoever returns it. To deliver the animal, he ends up going through a lot of confusion.

O Gato de Madame

1957

The Shadow of Another poster
8.0

A drama about double personality

The Shadow of Another

1950

O Rei do Samba poster
7.0

No synopsis available yet.

O Rei do Samba

1952

Quem Matou Anabela? poster
9.0

No synopsis available yet.

Quem Matou Anabela?

1956

Mujeres de fuego poster
4.5

No synopsis available yet.

Mujeres de fuego

1958

Bloody Hands poster
7.5

Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).

Bloody Hands

1955

Rua sem Sol poster
6.0

A poor girl must find the money to pay for her blind sister's eyesight operation.

Rua sem Sol

1954

Sand poster
10.0

Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.

Sand

1952

Mud Angel poster
10.0

No synopsis available yet.

Mud Angel

1951