Vlatko Gilić

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

Vlatko Gilić, after not getting enough funds for his last film, Days of Dreams, and after getting his scripts he wrote in the 1980s rejected for being too "artsy", was unable to direct movies for the rest of his life. In the meantime, he had the chance to direct this short documentary movie about the natural beauties of Montenegro, for a ski hotel, after meeting its hotel manager.

Two best friends, former Partisans, must face new challenges after the war.

"Povratak na rodno drvo" is a Yugoslav short film from 1968. It was directed by Vlatko Gilić and the screenplay was written by Matija Bećković.

A boy wanders the city alone on a hot summer's day. He tries to escape it, but ends up finding a new friend. The film turns into a literal flight of fantasy.

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.

Vlatko Gilić, after not getting enough funds for his last film, Days of Dreams, and after getting his scripts he wrote in the 1980s rejected for being too "artsy", was unable to direct movies for the rest of his life. In the meantime, he had the chance to direct this short documentary movie about the natural beauties of Montenegro, for a ski hotel, after meeting its hotel manager.

Two best friends, former Partisans, must face new challenges after the war.

"Povratak na rodno drvo" is a Yugoslav short film from 1968. It was directed by Vlatko Gilić and the screenplay was written by Matija Bećković.

A boy wanders the city alone on a hot summer's day. He tries to escape it, but ends up finding a new friend. The film turns into a literal flight of fantasy.

A boy wanders the city alone on a hot summer's day. He tries to escape it, but ends up finding a new friend. The film turns into a literal flight of fantasy.

"Dan više" is about a mudbath near the small Serbian town of Bujanovac that is famous for healing illnesses. People cover themselves from head to toe in mud and then float on the water: Vlatko Gilić created a ghostly, surreal scenario, whose everyday quality is concentrated into an allegory of human suffering and quest.

"Dan više" is about a mudbath near the small Serbian town of Bujanovac that is famous for healing illnesses. People cover themselves from head to toe in mud and then float on the water: Vlatko Gilić created a ghostly, surreal scenario, whose everyday quality is concentrated into an allegory of human suffering and quest.

The third film in Vlatko Gilić’s Sisyphean trilogy. Where the machine could not go through ... Collision between stone and man on the section of the Belgrade-Bar railway.

The third film in Vlatko Gilić’s Sisyphean trilogy. Where the machine could not go through ... Collision between stone and man on the section of the Belgrade-Bar railway.

On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch.

On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch.

The second film in Vlatko Gilic’s Sisyphean trilogy.

The second film in Vlatko Gilic’s Sisyphean trilogy.

In the rocky wastes of Mount Velebit, men have lived for centuries in close proximity with snakes. They learned to anticipate and cope with the dangers of the evil region, but the true battle begins when man comes to grips with the evil in himself.

In the rocky wastes of Mount Velebit, men have lived for centuries in close proximity with snakes. They learned to anticipate and cope with the dangers of the evil region, but the true battle begins when man comes to grips with the evil in himself.

Screened in the official competition at the Cannes Festival, this controversial documentary depicts a hypnosis session in which participants, under its influence, inflict pain on themselves and others. The film addresses important themes such as manipulation, abuse of power, and collective obedience.

Screened in the official competition at the Cannes Festival, this controversial documentary depicts a hypnosis session in which participants, under its influence, inflict pain on themselves and others. The film addresses important themes such as manipulation, abuse of power, and collective obedience.

Jelena spends her summer holiday tending a flock of sheep. A plane from a nearby aerodrome attracts her attention and she and the pilot engage in spontaneous games.

Jelena spends her summer holiday tending a flock of sheep. A plane from a nearby aerodrome attracts her attention and she and the pilot engage in spontaneous games.

An unbearable stench makes quite wide confusion among the residents of Belgrade. The microbiologist Pavle can not remember immediately where he smelled it, but recalls the event he witnessed as a child and the smell of a burning human. A visit to the crematorium gives him the assurance: The high number of suicides in the city has meant that the ovens are in continuous operation and will probably stay that way - because the stench is slowly making other people commit suicide, too.

An unbearable stench makes quite wide confusion among the residents of Belgrade. The microbiologist Pavle can not remember immediately where he smelled it, but recalls the event he witnessed as a child and the smell of a burning human. A visit to the crematorium gives him the assurance: The high number of suicides in the city has meant that the ovens are in continuous operation and will probably stay that way - because the stench is slowly making other people commit suicide, too.

In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures

A Yugoslavian man meets a woman in Paris, where he has come to do some research, and their mutual attraction leads to a liaison and shared adventures, not many good.

A farmer's spiteful death against fascists who chase him down through his cornfield.

A speechless war poem set in a remote village. The farmers struck by war turn into fighters.