Philippe Avron

Prince Myshkin is a good man, yet his goodness borders on naivety—or even idiocy. After spending his youth in a Swiss sanatorium being treated for epilepsy and autism, he returns to Russia to enter social circles riddled with hypocrisy and greed. One emerges from the experience dazed, as if waking from a troubled dream.

At thirty-three, Philippe, an actor who has turned to Commedia dell'Arte, has reached an age where everything he believed in is being called into question, his family life as well as his professional life, and even the importance he attaches to his masks, an importance that may be derisory. His life appears to him without embellishment, without any romanticism. He has taken refuge within himself. He is more alone than ever. The island on which Philippe has landed echoes the same everyday elements, but in an almost mythical, sometimes caricatural way. We encounter characters buried in their little lives, whose hopes and concerns seem futile. Then, in these clouds, in this mist, a lull...

A burglar joins the circus to escape the police. Yet, he continues his thefts during his off-hours and gets involved in the problems of people around him, while also romancing one of the other circus performers.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

In the 18th century, as the army of Prince De Beaulieu lays siege on the fortress of Marechal D'Allenberg, a young princess sends a soldier out of the fortress to go find her lover.

Biography of the life of Guillaume Apollinaire.

Jeanne Jouvert, a crime writer, has won the Quai des Orfèvres prize. Her publisher devises a clever publicity ploy that results in her husband, Alfred, head of the anti-gang squad, being honored in her place. The policeman finds himself quite comfortable as a best-selling author and takes advantage of the situation. Tired of having been submissive for too long, Jeanne plans her revenge. She asks for help from her friend Anne Beaufort, herself disappointed by her husband, who pretends to help Third World countries by selling them weapons. The two of them will prove what they are capable of by organizing a hold-up of the central post office in Paris.

Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...

In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.

A chance meeting with an alluring stranger leads a sports journalist down a twisted path of deception.

Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.

A young man in a cafe is attracted to a girl sitting at another table. He would like very much to approach her but he is very very shy. So, in Walter Mitty's style, he takes refuge in his fantasies, in which he finds it easy to be seductive, saving his lady from every possible and imaginable danger. The trouble is that those who win in their dreams often lose in real life. Except that at times real life surpasses imagination.

This comedy short subject parodies the Alpine expedition documentary genre.