Carl Martin Norén

1402. Queen Margrete I has gathered the Nordic kingdoms in a union, ruled through her adopted son, Erik. But a conspiracy is in the making and Margrete finds herself in an impossible dilemma that could shatter her life's work: The Kalmar Union.

"Anna!" is the story of a young woman in the process of learning to stand up for herself by putting her own needs and desires first. Slowly she begins to understand the necessity in being able to say no to others to say yes to herself.

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Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

"Anna!" is the story of a young woman in the process of learning to stand up for herself by putting her own needs and desires first. Slowly she begins to understand the necessity in being able to say no to others to say yes to herself.

"Anna!" is the story of a young woman in the process of learning to stand up for herself by putting her own needs and desires first. Slowly she begins to understand the necessity in being able to say no to others to say yes to herself.

"Anna!" is the story of a young woman in the process of learning to stand up for herself by putting her own needs and desires first. Slowly she begins to understand the necessity in being able to say no to others to say yes to herself.