Art
Françoise Arnaud
Acting credits
6.0Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.
Your Money or Your Life
1966
6.2Matou is an innocuous, gentle-looking man. He is married to a formidable, even a frightening woman, who is as dissatisfied with him as he is with her. He knows everything there is to know about restoring and authenticating manuscripts, particularly ancient ones, through his job at the museum. One day, it occurs to him that his skills could be put to use in a more personal way, and he embarks on a private career of re-arranging the documents of people who have had the misfortune to be married to the wrong people.
Order of the Daisy
1967
5.5When a cruel man is visited by Saint Francis and convinced to change his ways, his family believes him to be insane and locks him away in order to sell his beloved castle
Clerambard
1969
5.9Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television. They climbed on Paris roofs to coat the T.V. antennas with a special product cutting the signal reception.
The Big Wash
1968
5.8Malisard is a reporter at "Soir de Paris", his colleague Prévot is a photographer. Together, they roam the streets of Paris.
A Cloud in the Teeth
1974
1.0Olivier Andrieu married Nicole, the daughter of Lucie and Alfred Trévière, owners of Trévière Laboratories. Olivier works there as a biochemist. He suspects his wife of infidelity and wants to inject her with a truth serum of his own invention. Nicole agrees, provided the family participates in the experiment. After the injection, (almost) all of them feel an irresistible urge to reveal their true nature in front of as many witnesses as possible.
Les Quatre Vérités
1966
3.0Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.
I Have You Under My Skin
1990