Kirsten Johnson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America (MPAA) rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

"The Arc of Oblivion" explores a quirk of humankind: in a universe that erases its tracks, we humans are hellbent on leaving a trace. Set against the backdrop of the filmmaker's quixotic quest to build an ark in a field in Maine, the film heads far afield - to salt mines in the Alps, fjords in the Arctic, and ancient libraries in the Sahara - to illuminate the strange world of archives, record-keeping, and memory.

In the golden age of documentaries, who benefits? SUBJECT reveals the unintended consequences – good, bad, and complicated – of having your life shared on screen. Featuring the protagonists of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square, as well as the filmmakers of Minding the Gap, Cameraperson, An Inconvenient Truth, and more.

Made from footage captured at Brooklyn’s BAMcinemafest in June 2016 in which filmmakers were left alone in a hotel with a camera and a question: "Is cinema a dead language, an art which is already in the process of decline?" An homage to Wim Wenders’s documentary Room 666, in which the same question was posed to directors such as Steven Spielberg, Jean-Luc Godard, and Rainer Werner Fassbinder, ROOM H.264: Brooklyn, NY, June 2016 serves as a revealing document about the current state of American independent film, as well as a provocative rumination about how we see and experience the world.

The following roundtable conversation features director Kirsten Johnson along with documentary filmmaker Gini Reticker and sound recordists Wellington Bowler and Judy Karp, frequent collaborators of Jonhson’s whose work is featured in CAMERAPERSON. It was produced in 2016.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.

Biopic on the life of Susan Sontag

Biopic on the life of Susan Sontag

A U.S. military surveillance balloon floats on a tether high above Kabul, Afghanistan. Its capacities are both highly classified and deeply mysterious.

A U.S. military surveillance balloon floats on a tether high above Kabul, Afghanistan. Its capacities are both highly classified and deeply mysterious.

Forget the pie charts, color-coded maps and hyperventilating pundits. What's the street-level experience of voters in today's America? In a triumph of documentary storytelling, ELECTION DAY combines eleven stories--all shot simultaneously on November 2, 2004, from dawn until long past midnight--into one. Factory workers, ex-felons, harried moms, Native American activists and diligent poll watchers, from South Dakota to Florida, take the process of democracy into their own hands. The result: an entertaining, inspiring and sometimes unsettling tapestry of citizens determined on one fateful day to make their votes count.

A "fictional documentary" concerning the volatile topic of female excision, Bintou In Paris tells the story of a young Malinese mother faced with the critical decision of whether or not to excise her baby daughter.

A "fictional documentary" concerning the volatile topic of female excision, Bintou In Paris tells the story of a young Malinese mother faced with the critical decision of whether or not to excise her baby daughter.

In 2000, Illinois Gov. George Ryan ordered a moratorium on the death penalty after university students uncovered new evidence proving the innocence of 13 men on death row. This documentary follows the hearings held by a panel Ryan appointed to study the issue and interviews activists, scholars and prisoners, while examining the history of the American death penalty. As Ryan's time in office comes to an end, he must decide what steps to take to reform the judicial system.

Filmmaker Laura Poitras profiles William Binney, a 32-year veteran of the National Security Agency who helped design a top-secret program he says is broadly collecting Americans' personal data.

James Forman, a 31-year-old public defender and son of a civil rights leader, provides representation for black youth in Washington, D.C., who can't afford their own attorneys in this riveting documentary that goes inside the criminal justice system. Director Kirsten Johnson's award-winning film also sheds light on the difficulties that ex-offenders face when trying to break the cycle of crime and imprisonment.