Claudia Priscilla

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.

A documentary about actress Phedra D Córdoba, Cuban and transsexual who lives in downtown São Paulo.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.

Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.

When a love leaves, what piece does it take from us that we will never find again?

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.

A documentary about actress Phedra D Córdoba, Cuban and transsexual who lives in downtown São Paulo.

A documentary about actress Phedra D Córdoba, Cuban and transsexual who lives in downtown São Paulo.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.

Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.

Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.

When a love leaves, what piece does it take from us that we will never find again?

The cartoonist Laerte goes a long way through São Paulo searching for a certificate.

The cartoonist Laerte goes a long way through São Paulo searching for a certificate.

No synopsis available yet.

No synopsis available yet.

A documentary made in Mexico City about a singular character and her feelings about sex and religion.

A documentary made in Mexico City about a singular character and her feelings about sex and religion.