Fudeko Tanaka

No synopsis available yet.

1962 Japanese movie

A great famine struck all of Japan: the so-called Great Tenpō famine. It was a time when there were frequent uprisings in rural areas due to farmers losing their land as a result of strict tax collection. The Tonegawa area of ​​Boso was a lawless area for a generation, as two major forces fought against each other: Sukegoro of Iioka, who wields power with his industrial capital behind him, and Shigezo of Sasakawa, a rising yakuza. Furthermore, the successive floods of the Tone River, which could be called fate, forced the farmers into even more poverty and despair. Meanwhile, farmers in Nabe Village continue to live a lethargic life, but agricultural reform is about to begin under the hands of Yugaku Ohara, a ronin who has settled in the village.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

The story of the tender love between Junki, the son of a wealthy landowner, and Kayuki, the daughter of a forester, who decided to unite their destinies against their parents' wishes. Neither war nor years of separation could kill this love. It was only cut short by Kayuki's tragic death.

After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

When a lone traveller stumbles upon a remote, drought-stricken village, he finds himself engulfed in a whirlpool of myth, mystery, and magic: in a nearby pond reside spirits who hold the fate of the town’s inhabitants, including lovers Akira and Yuri, in their hands.

Expelled from her group for losing her virginity, blind travelling musician Orin endures a life of hardship, abuse, and poverty while wandering the countryside, finding brief companionship with an army deserter, and struggling against a society that marginalises her.

A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.

A tragic love story between a prostitute and a young trainee monk.

A man whose son has been murdered pushes to create laws to financially protect victims' families.

Based on the novel by proletarian writer Sunao Tokunaga. The story is about a long strike by workers at a large printing house and the strikers' steadfastness, which neither hunger nor violence could break. The heroine of this story actively participates in her colleagues' struggle against layoffs, oppression, and police brutality.

An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.

A man is wrongfully accused of murder.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

Yasuichiro Isa, who works in the labor section of Sone Mining Tokyo Headquarters, paid a monthly fee for his younger brother, Reiji, who was in trouble because he had a bonus of 10,000 yen more.

A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

Roppeita is big in size, clumsy and full of energy. When his grandfather orders him to move out to Tokyo to save a sinking milk delivery business a distant relative of his runs, he encounters the most strangest of clientele.

The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

Let's Go, Grandma! plays like an exuberant, goofy update to Yasujiro Ozu's Tokyo Story. Kinuyo Tanaka plays the titular Grandma, who, after selling her Hokkaido property, is apparently flush with cash but newly homeless. Her grown children take turns hosting her, making extravagant performances of filial devotion with an eye to potential profit. Making use of a catalog of wacky visual effects, bracketed by gratuitous ham-fisted fight scenes, and costarring pop singer Hideki Saijo, the film is balanced by Tanaka's nuanced performance, which delivers a denunciation of hypocrisy and greed.

About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.

As Japan's economic growth policies intensify, small-scale farmers embark on a first-ever communal dairy farming initiative in their village. They are joined by Riki, a young man who thinks communal farming will give him some leisure time.

Final part of epic drama about war and its effects upon human beings, follows the fortunes of the Godai family through the Sino-Japanese War through the Soviet Union's sudden attack upon Japanese troops at the end of the war.