
Acting
Victor Varconi
Born 1891-03-30 · Kisvárda, Austria-Hungary
From Wikipedia, the free encyclopedia Victor Varconi (born Mihály Várkonyi, 31 March 1891 – 6 June 1976) was a highly successful silent film actor in Hungary. Born in Kisvárda, Austria-Hungary, Varconi was the first Hungarian actor to make a film in the United States. His normal speaking accent sounded almost exactly like that of Transylvanian Bela Lugosi. He worked under contract to Cecil B. DeMille, and played Pontius Pilate in DeMille's 1927 production of The King of Kings. Because of his accent, Varconi's popularity waned with the advent of sound films and he was cast in smaller parts, often playing Hispanic characters. He worked on the New York City stage and wrote for radio. He died from a heart attack in Santa Barbara, California on 6 June 1976 at the age of 85. He was interred at the Calvary Cemetery, East Los Angeles, California, US.
Acting credits
6.7To avoid the rigors of the law, Gilda flees New Orleans and hides on a Caribbean island where the worst criminals can ask for asylum. Besieged by the scum of the earth, Gilda will soon find out that she has found refuge in hell.
Safe in Hell
1931
6.6When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.
Samson and Delilah
1949
6.5England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.
Unconquered
1947
NRBased on a popular stage musical comedy by Károly Bakonyi and Andor Gábor, the film tells the story of a young engineer who tries to construct a railway in his hometown, helped by the Count's daughter, Marcsa (Lili Berky).
Mágnás Miska
1917
NRThe Devil, in the guise of a human, meets a young couple who remark upon looking at a Renaissance painting of a martyr that Evil could never triumph over Good.
The Devil
1918
6.5Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.
For Whom the Bell Tolls
1943
6.5Wild Bill Hickok, Calamity Jane, and Buffalo Bill go up against Indians and a gunrunner.
The Plainsman
1936
7.2Dashing pirate Geoffrey Thorpe plunders Spanish ships for Queen Elizabeth I and falls in love with Dona Maria, a beautiful Spanish royal he captures.
The Sea Hawk
1940
NRNo synopsis available yet.
The Scorpion
1918
7.1Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh fashion house run by her assistant, Stephanie. There they meet the singer Scharwenka (alias Huck's old friend Lizzie), who gets the band a job. Meanwhile, Madame Roberta passes away and leaves the business to John and he goes into partnership with Stephanie.
Roberta
1935
6.4The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.
Reap the Wild Wind
1942
6.4The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
The King of Kings
1927
NREarly Curtiz feature
Magic Waltz
1918
7.0Convicts escaping from Devil's Island come under the influence of a strange Christ-like figure.
Strange Cargo
1940
6.4In a far off country, their king is critically wounded after an assassination attempt and the only heir is a timid New York radio personality, Michael Valentine (Bob Hope). After reluctantly traveling to his father's homeland, Michael is not happy that he's become the target of the same terrorist organization that attacked the king.
Where There's Life
1947
10.0Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, conceives of burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truckdriver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.
The Angel of Broadway
1927
6.1Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.
Sodom and Gomorrah
1922
6.4Larry Haines, a mediocre vaudeville entertainer, boards a train for Los Angeles. Aboard, he meets an attractive, blonde British agent carrying a coded message hidden in a brooch—and is being pursued by Nazi agents.
My Favorite Blonde
1942
7.0Márton Csorba chases the officer who has approached his wife. András Bakaj is on his way to fetch a doctor for his sick daughter, but the fleeing officer tries to take his horse. In the scuffle, a gun accidentally goes off, wounding the officer to death, who is robbed by a beggar. The bailiff arrests Csorba, who arrives on the scene. Bakaj does not have the strength to give himself up because of his sick daughter, so Csorba is sentenced to 15 years for murder.
The Yellow Foal
1914
7.0Count Merlin pursues an alchemical quest requiring the blood of young men to complete his rituals. An early version of the vampire on film.
Mágia
1917
7.0A colonel of the French army in North Africa believes his brother, a sensitive musician, to be in love with the colonel's wife and so arranges for his brother to be drafted into the colonel's own corps. Unknown to either is the fact that the colonel's wife is actually an Arab spy.
The Forbidden Woman
1927
10.0A modern adaptation of Dumas' Camille.
The Red Peacock
1920
6.1Movie star Shelah Fane is seeing wealthy Alan Jaynes while filming in Honolulu, Hawaii, but won't marry him without consulting famed psychic Tarneverro first. Enter inspector Charlie Chan of the Honolulu Police, investigating the unsolved murder, three years earlier, of a Hollywood actor.
The Black Camel
1931
6.3A government agent goes undercover in order to apprehend a saboteur who caused a plane crash.
Federal Fugitives
1941