Jacques Leduc

No synopsis available yet.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

A lonely woman spends the winter isolated and reminiscing about the past as she waits for her husband to return from a prolonged absence.

A filmmaker, fascinated by the power of the camera and obsessed with the theories of Russian film pioneer Dziga Vertov, decides to get a camera eye to replace the real eye he lost as a child. The visionary quest begins on the operating table, where a surgeon grafts a prototype ocular implant into his eye socket. Seeking a microscopic camera that could be incorporated into his artificial eye so he could secretly film whatever he sees, the filmmaker explores the futuristic technology that could make this possible, while revisiting chapters of his own past.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

No synopsis available yet.

No synopsis available yet.

A lonely woman spends the winter isolated and reminiscing about the past as she waits for her husband to return from a prolonged absence.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

No synopsis available yet.

The six members of the working-class Bessette family each mimic a certain stage of the life of the iconic Brother André and are an incarnation of his values and characteristics.

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

Jacques Leduc directed and co-scripted (with Jacques Marcotte) this Canadian-French co-production, a drama about an aging Montreal woman, Caroline (Annie Girardot), in her 60s and contemplating impending death. She destroys old correspondence, cleans her apartment by putting furniture in the street, and looks back on her life (as revealed via flashbacks and a film crew interviewing her daughters). Caroline's brief marriage to an Englishman gave her one daughter, successful businesswoman Rachel (Domini Blythe), and an affair with a rebel in the Congo resulted in her other daughter Myriam (Sheila Rose). Further memories rise to the surface when Caroline joins her long-time friend Maureen (France Castel) for a black-tie reception where their community work in Africa brings them an Order of Canada award.

A Docufiction about the twin realities of the Nominingue village in rural quebec, a poverty town turned vacation spot. where the older generation remembers the harsh conditions and poverty that afflicted them, while younger generations and tourist deal with ennui.

A Docufiction about the twin realities of the Nominingue village in rural quebec, a poverty town turned vacation spot. where the older generation remembers the harsh conditions and poverty that afflicted them, while younger generations and tourist deal with ennui.

Pierre is in love with two women and has a stable relationship with both of them. His wife, all by herself, makes him feel whole. However, he has the identical feeling with his librarian mistress and cannot understand why this arrangement shouldn't be satisfactory for everyone concerned.

Pierre is in love with two women and has a stable relationship with both of them. His wife, all by herself, makes him feel whole. However, he has the identical feeling with his librarian mistress and cannot understand why this arrangement shouldn't be satisfactory for everyone concerned.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

This film, shot in 1969, deals with a certain rebellious vision of Quebec at the time. It is a radical questioning of the ways of being of an entire community, which the filmmaker expresses in a most direct style. (This film was released in theaters in 1975.)

In a very traditional and popular setting, this documentary follow Willie Lamothe who becomes a national icone aftera 25 years career. The film follows the stars through is retelling of his career, his private life and his shows. It also follows testimonies from his fans and friends. Finaly, it his full of Willie Lamothe's music.

No synopsis available yet.

A mirror and satire of modern society, this film, without commentary, uses symbols, sounds, suggestive images, and signs to invite the viewer to reflect on the various forms of oppression—money, authority, prohibitions, and incentives—that constrain contemporary man, steal his time, and degrade his conscience and moral values.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

No synopsis available yet.

No synopsis available yet.

David Marvin, photographer and archivist, tormented by deafness and illness, killed himself in 1975. Mixing fiction and documentary, this feature film draws a parallel between his life and the history of Griffintown, a neighborhood of Montreal to which he devoted part of his work.