Cecilia Gessa

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

One of Spain's best talent agents in the '90s, Paquita now finds herself searching desperately for new stars after suddenly losing her biggest client.

The series shows how coexistence is pushed to the limit and a realistic and intimate reflection of what happens in our houses during confinement. Small anecdotes that arise in the homes of several protagonists and a starting situation: being locked up at home.

No synopsis available yet.

Isi and Disi, the more thugs Leganés heavys return. This time Disi falls in love for the sexy Angie, former rock singer and girlfriend of a big shot record, Berdún. After being recognized as the most brutal band in the equally brutal contest presented by Angie, Disi not only have to save his group Ratamuerta, his friendship with Isi, and the temple of rock "The Kampana of Hell", but also rescue Angie from the clutches of machiavellian Berdún. Once again, rock triumph over evil ...

A man relates his relationship with a woman who he noticed would have a different personality depending on where she physically was. Over time she seems to change with smaller and smaller movements in space. Gradually she seems to change even though she isn't moving at all.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

One of Spain's best talent agents in the '90s, Paquita now finds herself searching desperately for new stars after suddenly losing her biggest client.

The series shows how coexistence is pushed to the limit and a realistic and intimate reflection of what happens in our houses during confinement. Small anecdotes that arise in the homes of several protagonists and a starting situation: being locked up at home.

After Raúl's bachelor party, he goes to Santi's hotel room for one last chat. What seemed like a casual conversation turns into an unexpected confession.

After Raúl's bachelor party, he goes to Santi's hotel room for one last chat. What seemed like a casual conversation turns into an unexpected confession.

Ana leads a traditional life even though she has not stopped seeing Maria, her secret lover for years. Maria continues to assume the double life of the woman she loves. Can a secret relationship last?

Two mothers arguing over a bullying problem. The revelations that emerge throughout this encounter put them at edge of the cliff, facing their own contradictions.