
Acting
César Ladeira
Born 1910-12-11 · Campinas, São Paulo, Brazil
César Ladeira (Campinas, December 11, 1910 – September 8, 1969) was an actor and writer, known for É a Maior (1958), Alô, Alô, Brasil (1935) and Banana-da-Terra (1939).
Acting credits
10.0No synopsis available yet.
Folias Cariocas
1948
8.0Three young women sharing a room in a boarding house owned by a very strict matron dream of becoming famous in show busines
Garotas e Samba
1957
9.0A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Hello, Hello, Brazil!
1935
7.0No synopsis available yet.
Laranja da China
1940
Short documentary about Carmen Miranda, with some of her songs, rare footage of the "lost" film "Banana-da-Terra" and scenes of her funeral, in 1955.
Carmen Miranda
1969
6.3Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power, seriously compromising his own ideals and ethics in the process.
The Brave Warrior
1968
9.0No synopsis available yet.
Terra Violenta
1949
6.6After the success of the first Brazilian space mission, a scientist intends to accomplish an even more audacious feat. His goal is to launch into space the Nationalist rocket II, this time taking two humans to the moon.
The Cosmonauts
1962
8.0No synopsis available yet.
Salário Mínimo
1970
7.0A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.
Garoto - Vivo Sonhando
2020
7.0Passengers aboard a seemingly doomed plane reminisce about their lives, questioning the façade of their daily social activities. Once safe at Santos Dumont Airport, they go back to their old hypocritical selves.
Toda a Vida em 15 Minutos
1954