
Acting
Isabella Cerqueira Campos
Born 1938-07-27 · Mundo Novo, Bahia, Brazil
Isabella Cerqueira Campos artistic name of Maria Luiza Cerqueira Campos (Mundo Novo, July 27, 1938—Rio de Janeiro, February 2, 2011) was a Brazilian actress and assistant director, known for Cinco vezes Favela (1962), O Desafio (1966) and Capitu (1968).
Acting credits
7.0No synopsis available yet.
Os Apavorados
1963
"The possessed is a very poor woman, ravaged by delusions and ghosts, until, driven by mysterious voices, she suddenly becomes another person, young, beautiful, insinuating. Her exploits make her the subject of a police chronicle. She seduces teenagers, attacks men, she becomes an insatiable wolf who arouses the wrath of the whole community against her. Revenge is not slow and a group intends to stone her. But she manages to lure her pursuers to a strange place where she faces them in struggle. unequal and wins ". (Extracted from Guide to Movies, 55)
Possessed by a Thousand Demons
1975
7.0During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.
The Lyre of Delight
1978
4.8A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.
Brasília 18%
2006
6.3Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power, seriously compromising his own ideals and ethics in the process.
The Brave Warrior
1968
No synopsis available yet.
Ukrinmakrinkrin, A Música de Marlos Nobre
1975
7.9Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
Five Times Favela
1962
9.0A comedy divided into two episodes. The first tells the story of Agildo, a man obsessed with women, who is caught by his wife in bed with the maid. He begins to live a sexual fast so his wife doesn't leave him, but tries to use his imagination to cheat on his wife without betraying his religion. In the second episode, a tough guy manages to win over a beautiful woman, but doesn't have the money to take her on a date. However, his three best friends will do anything to ensure his success with her.
A Cama ao Alcance de Todos
1969
9.0Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.
Parceiros da Aventura
1979
10.0Unhappy with what he'd got from life, Pedro Diabo becomes a dread outlaw, whom the police is looking for. In his life of crime, he has the love and support of a strange woman, Rosa Meia-Noite, chorus girl who likes to wear rich costumes in Carnival Balls.
Pedro Diabo Loves Rosa Meia Noite
1969
7.9Passively facing the repression imposed by military dictatorship in 1960s Brazil, a journalist enters a personal crisis, aggravated by his affair with an industrialist's wife, who doesn't want to leave her home because of her son.
The Dare
1965
4.7In the 60's Lúcia McCartney is a call girl who is a fan of the Beatles. A diplomat tries to get her out of prostitution by falling in love with her.
Lucia McCartney, Call Girl
1971
6.0Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival
Baron Olavo, The Horrible
1970
5.9Adaptation of Machado de Assis’s classic novel “Dom Casmurro”. Bentinho and Capitu are friends since childhood and end up marrying. But Bentinho destroys his life when he starts suspecting Capitu has an affair with his best friend and that his son is not really his.
Capitu
1968
7.0Sad with her grandfather's death, Maria goes on vacation with her friend João on board a jeep. After being threatened by three thieves and helped by a Japanese traveler who opens their eyes to the mysteries of love, a pair gets lost in the forest and ends up at the home of a strange woman, who turns out to be a powerful witch Astarte. Realizing the danger they are in, Maria asks for help from the forest beings who teach her the secrets of the four magic keys: earth, air, fire and water. With these teachings, Maria leaves for the final confrontation against Astarte.
As Quatro Chaves Mágicas
1971
6.7In the village of Leva-e-Traz, the discovery of a oil field is responsible for a mass evasion of the townspeople. Left are the old and incapable for the extraction job. When the local priest announces he, too, is leaving the town, Satan emerge thrilled with the chance of overtaking the place.
Satan's Feats in the Village of Take-and-Bring
1967